Latest Events in Paris(June Updated)

The Paris Fashion Week Celebrity Showcase at EST Galerie in Paris is set to take place on June 27, 2025. This exclusive event will feature top celebrities, designers, and fashion influencers from around the world. Located at 76 Rue Saint-Maur, 75011 Paris, the venue is known for its elegant and sophisticated atmosphere, making it the perfect setting for this prestigious fashion event. Attendees can look forward to witnessing the latest trends and designs from renowned fashion houses, as well as the opportunity to network with industry professionals. Don't miss out on this exciting opportunity to experience the glamour and style of Paris Fashion Week.

Immerse yourself in the heart of the French capital's bustling creativity during the Paris Arts Festival Summer 2024!It’s a vibrant celebration of theatre, dance, circus, music, performances and installations taking over Paris’s iconic locations and unusual corners. True to its original mission, the event strives to democratize access to arts and culture, providing everyone with the opportunity to marvel and flourish in a festive and friendly environment.

Join us for an unforgettable evening of high fashion and cutting-edge design at a Paris Fashion Week Showcase on October 3, 2025. This exclusive event promises to bring together fashion enthusiasts, industry insiders, and trendsetters for a night of stunning runway presentations and glamorous networking opportunities. Highlights:Runway Presentations: Experience the latest collections from renowned and emerging designers. Witness breathtaking runway shows featuring innovative designs, unique styles, and sartorial masterpieces.Exclusive Networking: Connect with top fashion professionals, designers, influencers, and celebrities. This is your chance to engage with the industry's elite and build valuable connections.VIP Experience: Enjoy access to our VIP lounge, offering premium seating, complimentary refreshments, and special amenities.Live Entertainment: Delight in live performances and entertainment throughout the evening, adding an extra layer of excitement to the fashion showcase.Why Attend:Be among the first to see the newest trends and collections for the upcoming season.Engage with fashion visionaries and gain insights into the future of fashion.Celebrate the creativity and innovation that make Paris Fashion Week a global phenomenon.Ticket Information:Secure your spot at this must-attend event by purchasing your VIP or GA tickets. Tickets are available in limited quantities, so be sure to act quickly to ensure your place at this premier fashion event. WANT TO SHOWCASE YOUR COLLECTION? Designers, ( review here / apply here)OTHER OPPORTUNITIES Fashion brands ( review here / apply here)Beauty brands (review here / apply here)Food service and product-based brands (review here / apply here)For questions & event inquiries, please reach out to us at info@shop-musa.com. Follow us on Instagram & Tiktok: @themusashowroomVisit our store & shop exclusive brands: www.themusashowroom.comMeet The Producers: Adonis & Sharon Information Source: Red Carpet Event Listings | eventbrite

Lady Gaga Antwerp is set to be an electrifying event, taking place at the iconic Sportpaleis in Antwerp, Belgium. On November 11, 2025, at 18:30, fans will gather to witness a spectacular performance by the global superstar. Known for her powerful vocals, avant-garde fashion, and captivating stage presence, Lady Gaga promises an unforgettable evening. With ticket prices ranging from 60 EUR to 3684 USD, this event offers a variety of seating options to accommodate all attendees. The Sportpaleis, renowned for hosting world-class events, provides the perfect backdrop for what is sure to be a night filled with chart-topping hits and mesmerizing visuals. Lady Gaga Antwerp is not just a concert; it is an experience that will leave a lasting impression on all who attend.

Andrea Bocelli Paris is set to be an unforgettable evening of musical brilliance, taking place at the renowned AccorArena in Paris on April 1, 2026, at 20:00. With ticket prices starting at 100 EUR (198 USD), this event promises to be a highlight in the cultural calendar of the City of Light. Andrea Bocelli, the world-renowned tenor known for his extraordinary voice and captivating performances, will grace the stage, offering a repertoire that spans classical opera to contemporary hits. The AccorArena, located in the heart of Paris, provides an ideal setting for such a prestigious event, ensuring an immersive and memorable experience for all attendees. Don't miss the opportunity to witness Andrea Bocelli's unparalleled artistry in one of the most iconic cities in the world.

The Musée national Picasso-Paris collection is the fruit of an extraordinary history, made possible by the dation procedure - today it is the largest public collection of works by Picasso, the "Picassos of Picasso". Coming from the artist's studios, this collection gives us a better grasp of the aesthetic explorations of a Picasso who was by turns disconcerting, plural, contradictory, reflexive, gestural and conceptual, an aesthete and a committed activist, a tinkerer and a poet. Is he symbolist, cubist, classical, surrealist or simply figurative and political?

From January 30, 2025,throughJanuary 4, 2026, the Musée Yves Saint Laurent Marrakech invites you to experienceYves Saint Laurent: The Hamish Bowles Collection, fifty-three odes to elegance, brought to life through an outstanding loan that will enthral visitors.

The exhibition "Golden Thread. The art of dressing from north Africa to the far east", on show at the Musée du Quai Branly - Jacques Chirac until 6 July 2025, focuses on gold in the textile arts from Antiquity to the present day. This plunge into the history of this fascinating and precious metal takes visitors on a journey around the globe, from North Africa to the Middle East, via Japan, China and India. The exhibition also highlights the richness, technicality, inventiveness and expertise of the weavers, embroiderers and craftsmen who have been sublimating fabrics and silks since the dawn of time. This is a unique opportunity to admire a selection of traditional and ceremonial outfits, festive and wedding dresses from North Africa and the Orient, drapes and sparkling costumes from Asia and India, kimonos from the Edo period... and many other textile treasures. Modern creations by Chinese fashion designer Guo Pei are also on show.

When the mirror ball reflects thousands of stars, the Philharmonie de Paris is brewing a cross-century cultural carnival! This art palace famous for classical music is going to put on a gorgeous battle robe for disco music. Starting from Valentine's Day 2025, the six-month-long "Disco, I'm coming out" special exhibition will take you stepping on colorful notes and return to the golden age of freedom and rebellion. Here, every pair of dancing shoes hides a story, and every melody is a declaration of cultural revolution.

Housed in the classic rotunda structure of the Paris Stock Exchange, the Pinault Museum presents Corps et âmes, a selection of about a hundred works from the Pinault Collection, exploring the representation of the body in contemporary art as a response to the huge panorama of paintings that surround the building's glass dome. The exhibition explores the meaning of the body in contemporary thought through works by about forty artists from the Pinault Collection. Freed from all constraints of mimesis, the body - whether photographed, sculpted, painted, photographed or drawn - constantly reinvents itself, thus giving art an essential organic quality that allows it to feel the pulse of the body and the soul, like an umbilical cord.

Since the 1990s, he has been developing a body of work centred on the passage of time, largely consisting of videos and related drawings, studies, storyboards and dissertations on various projects. Claerbout invites the viewer to explore the plurality of the experience of duration through perception of often miniscule changes. His film Boom (1996), for example, is a slow, attentive observation of a magnificent tree in the countryside. Only the air flowing through its leaves tells us that the image is in motion, prompting us to view it with a demanding yet contemplative eye. The image, simple and beautiful, exerts an unaccustomed fascination by depicting the self-evidence of the tree’s existence in the world.

Through an exceptional collection of nearly 230 works, "L'art est dans la rue" explores the spectacular rise of the illustrated poster in Paris during the second half of the 19th century. Organized in partnership with the Bibliothèque nationale de France, the exhibition is the first of its kind on this scale. In fact, no major event in Paris has ever been devoted to this social phenomenon, bringing together so many outstanding works by the "Masters of the Poster". Bonnard, Chéret, Grasset, Mucha, Steinlen, Toulouse-Lautrec... Conceived as an immersion into the visual universe of the 19th century city, the exhibition traces the golden age of the artistic poster, analyzing the social and cultural changes that favored its development, in dialogue with a unique collection of posters, paintings, photographs, costumes, sculptures and decorative objects that evoke the exuberant world of the street at the turn of the century.

The Jacquemart-Andre Museum hosts a retrospective of the works of Italian female painter Artemisia Gentileschi (1593-c. 1656), looking back on her fearless life and creative career and exploring her position in the history of 17th century painting.

Before its five-year hiatus, the Centre Pompidou presents Paris Noir, an exhibition focusing on African artists active in Paris between the 1940s and 2000. African artists have received much attention in recent years, and they have practiced and explored various fields from international abstractionism to African and Atlantic abstractionism, from surrealism to free painting, in order to seek identity recognition. However, many of their works have never been exhibited in France before. The exhibition includes works by 150 artists from the United States and Africa. Five contemporary African artists have specially created five art installations for the exhibition, interpreting the memories of African artists in Paris from a contemporary perspective.

A pioneer of Neo-Impressionism and a pillar of anarchist and libertarian circles, Maximilien Luce (1858-1941) marked his era with a profound artistic and political commitment. A painter of urban and rural landscapes and the human condition, he captured the social and industrial transformations of his time with a unique sensitivity. The first Parisian retrospective since 1983 dedicated to this major Neo-Impressionist painter, the exhibition is held just steps from where Luce resided from 1887 to 1900, on Rue Cortot. Rooted in the history of Montmartre and the contradictions of his time, the painter's work is highlighted in this exhibition, which aims to reaffirm his importance and introduce his often overlooked oeuvre to the general public. Besides the humanist character that made the man's heart beat and distinguished his entire oeuvre, landscape was the other dominant theme that animated his painting throughout his life. Luce captures light and color, revealing the beauty of urban and rural landscapes with a persistent social sensitivity. For the exhibition "Maximilien Luce, the Instinct for Landscape," the Musée de Montmartre has chosen to present his work through the prism of landscape, taking visitors on a retrospective journey between the two essential centers of his life: Paris and Rolleboise. Visitors are invited to follow the artist's wanderings from Montmartre, where he lived from 1887 to 1900, through the bustle of the Parisian streets, and through his travels from Saint-Tropez to the Pays-Noir of Charleroi, via the Netherlands, Normandy, and London.

Jean Chatelus, who passed away in 2021 at the age of 82, was a Lyon-born historian and lecturer at the Sorbonne. Throughout his life, he amassed a collection unique, driven more by an impulse to accumulate than by a traditional collector’s approach. Comprising nearly 400 pieces—sculptures, installations, paintings, photographs, drawings, votive and vernacular objects—the collection explores themes of the body, death, and the fleeting nature of life.Presented almost in its entirety, the collection reflects Chatelus’s evolving tastes: from an early fascination with Surrealism and repurposed objects, to a later focus on body art. It also reveals his keen interest in non-Western ethnographic artifacts, folk traditions, and the works of contemporary art’s outsiders and enfant terribles, including Cindy Sherman, Mike Kelley, Christian Boltanski, Yayoi Kusama, Michel Journiac, Daniel Spoerri, Robert Filliou, Nam June Paik, Joana Vasconcelos, Andres Serrano, and Wim Delvoye.

This project, labelled by the National Mission for the 80th Anniversary of the Liberation, was made possible thanks to loans from the following institutions: The Heritage and Photography Media Library (MPP), the National Audiovisual Institute (INA), the Contemporaine Library, the Communication and Audiovisual Production Agency for the Department of Defense (ECPAD), France Press Agency (AFP), the Liberation Museum, Hauts-de-Seine Départemental Archives, National Archives in Washington, the Liberation of Paris Museum –General Leclerc Museum –Jean Moulin Museum, and Gamma Rapho Keystone.

Gaza is home to a wealth of archaeological sites from all periods that are now in peril. The IMA is therefore offering an exceptional collection in more ways than one, made up of highly valuable pieces that the vagaries of history have saved from disaster and which reveal the depth of its history, a priceless treasure whose complexity is reflected in this exhibition. Since 2007, the Geneva Museum of Art and History (MAH) has become the museum-refuge for an archaeological collection of nearly 529 works belonging to the Palestinian National Authority and which have never been able to return to Gaza: these amphorae, statuettes, funerary steles, oil lamps, figurines, mosaics, etc., dating from the Bronze Age to the Ottoman era, form a collection that has become a reference in light of the recent destruction.

The Musée d’Art Moderne in Paris presents the first retrospective in France devoted to the German artist Gabriele Münter (1877-1962). Co-founder of the Munich circle of the Blue Rider (Blaue Reiter), Gabriele Münter is one of the most eminent female artists of German Expressionism. In an artistic world dominated by men, she was able to create an extremely personal and diverse body of work that spans six decades.

The Musée d'Art Moderne de Paris presents the first retrospective in France devoted to German artist Gabriele Münter (1877-1962). Co-founder of the Munich Blue Rider (Blaue Reiter) circle, Gabriele Münter is one of the most prominent female artists of German Expressionism. In a male-dominated art world, she created an extremely personal and diverse body of work spanning six decades. While her name is often associated with that of Kandinsky, who was her companion during her years in Munich (1903-1914), Gabriele Münter never ceased to reinvent herself, displaying a striking modernity, mastering a wide range of techniques and leaving behind a prolific body of work. Following the highly acclaimed retrospectives devoted to Sonia Delaunay in 2014-2015, Paula Modersohn-Becker in 2016 and Anna-Eva Bergman in 2023, the MAM is continuing its policy of presenting major female figures of modern art whose artistic careers are closely linked to the capital. The museum invites you to discover this pioneer of modern art, who began her career in Paris, where she exhibited for the first time in 1907 at the Salon des Indépendants.

Adéla Janská’s practice is a meditation on form and perception, a delicate unravelling of selfhood tracing contours of femininity with an ethereal hand. Her subjects, often female figures - unyielding and imbued with a spectral grace - exist within a liminal space where their very stillness exude a sense of mystery and enigmatic depth. With their impenetrable surfaces concealing layers of meaning beneath the fragile gleam of porcelain glass skin, these delicate effigies, drawn from her childhood memory of playing with paper dolls, or inspired by from her collection of Bohemian and Bavarian figurines, serve as symbols - untouchable, eternal, their surfaces unmarked by time or physicality.

The exhibition "Agnès Varda's Paris, Here and There" explores the work of Agnès Varda (1928-2019) from a unique perspective. It showcases the artist's still little-known photographic oeuvre and reveals the pivotal role of the courtyard-studio on Rue Daguerre (Paris 14th arrondissement), a space where she lived and created from 1951 to 2019. More generally, it demonstrates the importance of Paris in a free and abundant oeuvre that never takes easy paths and wonderfully creates a dialogue between documentary and fiction.

Since the Renaissance, the book in art has symbolized knowledge, with the codex—both as an object and a concept—becoming a metonym for scholarship and learning. In the digital age, where text is increasingly detached from its printed medium, Tornabuoni Art Paris presents The Book. Object Between Memory and Symbol, a project bringing together a selection of Italian and international artists who have explored the book not only for its literary content but also for its symbolic value. Aiming to offer a broad international panorama of the use of books in contemporary art, the exhibition features works by Vincenzo Agnetti, Alighiero Boetti, Jean Boghossian, Pascal Convert, Chiara Dynys, Emilio Isgrò, Anselm Kiefer, Giulio Paolini, Claudio Parmiggiani, Michelangelo Pistoletto, Yinka Shonibare, and Chen Zhen.

No Name—the parisian art space initiated by Patricia Marshall, Léo Panico, and Catherine Ugols—presents A Hundred Ways to Disappear, a powerful, poetic counter-narrative. This group exhibition gathers artists whose works explore absence as a form of resistance, and disappearance as a way to breathe and reflect.

Galerie Max Hetzler, Paris, presents Tableaux en Laine, Pierres en Bronze, a solo exhibition by Sarah Crowner, uniting a new series of embroideries, bronze sculptures and canvases. This is the artist’s inaugural exhibition with the gallery, and her first presentation in Paris.

World-renowned for its stone monuments, Khmer art also produced significant bronze statuary, knowledge of which has undergone spectacular advances thanks to recent excavations. The Guimet Museum is dedicating the exhibition Royal Bronzes of Angkor: An Art of the Divine to bronze. The highlight of this exhibition is the statue of the reclining Vishnu from the Western Mebon—an 11th-century sanctuary west of Angkor—discovered in 1936, which originally measured over five meters in length. This Cambodian national treasure will be exhibited for the first time with its long-separated fragments, after benefiting from a scientific analysis and restoration campaign in France in 2024, with the patronage of ALIPH (International Alliance for the Protection of Heritage). It will be accompanied by more than 200 works, including 126 exceptional loans from the National Museum of Cambodia, whose presence allows for a chronological journey of bronze art in Cambodia, from the 9th century to the present day, through a journey leading the visitor to the major sites of Khmer heritage.

The Musée du Louvre marks a European first with a major exhibition on the Mamluk sultanate (1250–1517), aiming to address this golden age of the Islamic Near East in all its scope and richness by examining it from a transregional perspective. The Mamluks, freed slave-soldiers of primarily Turkish (and later Caucasian) origin, built their legend on their warrior prowess. From 1250 to 1517, the Mamluk sultanate conquered the last bastions of the Crusaders, fought and repulsed the Mongol threat, survived Timur’s invasions and kept its threatening Turkmen and Ottoman neighbours at bay before succumbing to the latter’s expansionism. It encompassed a vast territory including Egypt, Bilad al-Sham (Syria, Libya, Israel/Palestine, Jordan), part of eastern Anatolia and the Hejaz region of Arabia, which includes Mecca and Medina. But the history of the Mamluk sultanate cannot be reduced to its conquests and feats of arms. Its culture, as complex and multifaceted as its society, was part of a little-known and singularly fluid medieval era. A world in which sultans mingled with emirs and rich civil elites, all actively engaged in artistic patronage. A pluralistic society in which women as well as Christian and Jewish minorities had a place. Another ‘Middle Kingdom’ where Europe, Africa and Asia converged and in which people and ideas circulated, as did merchandise and artistic repertoires. Structured in five sections (the Mamluks, their society, their cultures, their connections with the rest of the world and their art), the exhibition presents nearly 260 works, a third of which are from the Louvre and the Musée des Arts Décoratifs, featured beside prestigious national and international loans. Textiles, objets d’art, manuscripts, paintings, ivories, stone and wood interior décors reveal a teeming artistic, literary, religious and scientific world. The sultanate was then the cultural heart of the Arab world and the heir to a number of grand traditions. Mamluk visual culture would make a lasting impression on art and architectural history. The exhibition, through a spectacular scenography, immersive spaces and varied layouts, invites visitors into a living experience of the world of the Mamluks. Visitors will also be introduced to historical figures representative of Mamluk society, telling their unique stories as part of the greater history. This is an unprecedented opportunity to discover this glorious and yet little-known empire through masterpieces from around the world, providing a new perspective on medieval Egypt and the Near East, at a time when it stood at a cultural junction between Asia, Africa and Europe.

Jeanne Vicerial, the young and sensationally talented French textile artist, has a new show at TEMPLON Paris where she unveils the result of two years spent exploring the notion of metamorphosis. For the Pupation exhibition, Vicerial fills the gallery’s original space in Rue Beaubourg in Paris with her “presences”, the large sculptures in crocheted or smoothed black thread that are so characteristic of her practice.