Latest Events in Nara City(September Updated)

Sai-no-Kami Shrine is a branch shrine of the World Heritage Site Kasuga Taisha Shrine, located on the shore of Sarusawa Pond. According to the mid-Heian period ballad *Yamato Monogatari*, this shrine was built to appease the spirit of Nuwa (a court lady serving the emperor) who committed suicide by drowning herself in the pond during the Nara period due to the waning favor she received from the emperor. Every year on the night of the full moon during the Mid-Autumn Festival, the "Tsukiwa Matsuri" is held to appease Nuwa's spirit and pray for the well-being of the people. The annual festival begins with the "Flower Fan Offering Parade," where fan bearers in traditional costumes parade through the city carrying fans. After the ceremony at Sai-no-Kami Shrine, the flower fans are transferred to a musical instrument boat. During the "Kangen Fan No-Gi" ceremony, the flower fans are paraded around the pond to the melody of Gagaku (court music) before finally being thrown into the pond.

Goharu (1752-1811) was an artist active in the Edo period. He changed his name to "Goharu" to welcome the spring, and was known as "Tsuki" in casual occasions. While learning painting and haiku from Yosa Buson (1716-1783), Goharu discussed painting techniques with Maruyama Oki (1733-1795), who was known for his innovation in Edo painting. His painting style was widely spread in the Shijo school and had a great influence on the modern Kyoto painting world. This exhibition will review Goharu's painting career through large-scale works such as temple ao-e, and observe the changes in his painting style that gradually refined as he pursued his ideals. In addition, the exhibition will also show his involvement in art fields such as haiku and Noh. Goharu's relaxed interpersonal relationships and exchanges with different people seem to have played an important role in the changes in his painting style.

In Nara, Japan, there is a "treasure house" which is only open once a year in autumn - Shosoin. Shosoin was designated as a World Heritage Site in 1998 as part of the "Cultural Heritage of Ancient Nara". The collection here is as many as 9,000 pieces, spanning a thousand years of history. The Shosoin Exhibition has been held for the 76th time since its first exhibition in 1946. Every autumn, the Shosoin Exhibition adds a touch of autumn color to the ancient capital of Nara, and this year's Shosoin Exhibition will be held as scheduled. The poster cover this time features a gold-glazed twelve-prism mirror. This is the only silver-tin alloy mirror in the collection of the Shosoin Repository. The decorative pattern is separated by gold threads, which is extremely gorgeous. It is also the oldest and most precious enamel product in existence in Japan. The Shosoin exhibition will display 57 pieces of treasures, 11 of which will be exhibited for the first time. This year, different types of exhibits will also be on display, including furniture, clothing accessories, Buddhist instruments, ancient documents, etc., including a gorgeous brocade elbow pad "Purple ground phoenix shaped brocade imperial scepter" (North Warehouse 47), "Green glazed small ruler" (Central Warehouse 111), "Dark green glazed fish shape" (Central Warehouse 128) and other items used by Emperor Shomu, in order to fully present the charm of the Shosoin collection.

This BKXperience event is a one-day clinic held in Japan on Decmber 21st, 2024 for Brass, Guard, and Percussion. This event is open to anyone who wants to either audition for the 2025 Blue Knights, or just come for the experience! * *Drum Major Auditions will be held at our November camp located in Denver, CO ONLY** By registering for this event, you will receive our 2025 audition materials automatically. These will be located at the bottom of your confirmation page. F or more information on this event and all other BKXperience events, to learn more about the Blue Knights, and to check out our FAQs, please go to: https://bkxperience.org/ We can't wait to meet you! Information Source: Blue Knights | eventbrite

"Water Drawing (Shunikai)" is a traditional event held at Nigatsudo Hall in Todaiji Temple. Since 1997, this exhibition has been held during the event to coincide with the launch of this event, and has been well received by the audience. The exhibition displays exhibits in the fields of sculptures, paintings, ink paintings, crafts, archaeological relics, etc. related to the "Water Drawing" activity. The practices and rituals implemented in the traditional activity "Water Drawing" have gradually formed over a long period of history and are complex and profound. It is intertwined with the history of various religions and cultures, such as the elements of the combination of Shinto and Buddhism. The specific operation process of the traditional activity "Water Drawing" is usually not open to the public, which adds to its mystery. I hope that through this exhibition, you can understand the background of this activity and deepen your understanding of the "Water Drawing" ceremony and feel its infinite charm.

Takehiko Yamashiro (1908–1997) is an important figure in the study of modern and contemporary art history in Japan. He was the director of the art department of the Nara National Museum and a professor at Ryukoku University. He is also known for his profound research on Chinese art. This exhibition systematically reviews his academic career and private collection from the two dimensions of "collection" and "research", showing his love and unique vision for East Asian art. The exhibits include Chinese calligraphy and painting, ceramics, and ancient Japanese art, all of which are important objects that Yamashiro has collected or studied for many years, and some of the works are open to the public for the first time. The exhibition will also present precious documents such as his academic manuscripts, investigation notes, and lecture manuscripts, exploring the paths of "how to watch" and "how to study" from the perspective of scholars. In the Nara area, which is densely populated with cultural heritage such as Todaiji Temple, Kasuga Taisha Shrine, and Toshodaiji Temple, Yamato Bunkakan has always played the role of a cultural bridge. This exhibition is a beautiful practice that connects academic research and visual aesthetics, and it is worth savoring for audiences who love Chinese art and Japanese cultural history.