Featured Events in London in March 2025 (June Updated)

Enter a world of splendour, of eye-popping excess, of glitz, grandeur and glory! A world where Bohemians and aristocrats rub elbows and revel in electrifying enchantment, Moulin Rouge! The Musical blends revelry and romance onstage like never before. Pop the champagne and prepare for the spectacular spectacular. Baz Luhrmann’s revolutionary film comes to life onstage, remixed in a new musical mash-up extravaganza. A theatrical celebration of truth, beauty, freedom and - above all - love, Moulin Rouge! is more than a musical; it is a state of mind.

Widely regarded as one of the great portraitists of the 19th and 20th centuries, Edvard Munch consistently produced intimate portraits of family, friends, lovers, writers, artists, patrons and collectors, together with an extraordinary range of self-portraits. With energetic brushstrokes, bold colour and a direct sense of engagement with the sitter, these works have had a strong influence on the portrait genre.Edvard Munch Portraits will be the first exhibition in the UK to focus on this important, but sometimes overlooked, aspect of the artist’s work. The exhibition will show how Munch painted portraits as commissions and for personal reasons, with many pictures doubling up as icons or examples of the human condition despite being based on the direct observation of named individuals.

After captivating 1.8 million visitors worldwide, the award-winning Tutankhamun: The Immersive Exhibition is coming to London! With 8m-high immersive projections, a 360º VR experience, an interactive digital "metaverse" room, replicas and artefacts directly from Cairo, and a hologram room showing the full mummification process of Pharaoh Tutankhamun, this groundbreaking exhibition invites visitors to immerse themselves in an extraordinary journey to the heart of Ancient Egypt.

A Virtual Reality Art Exhibition that you can view in any location and on any device. Please see the above picture instructions for how you can view it on a tablet/mobile. You can view the exhibition with or without a virtual reality headset. Copy this link to view the Virtual Reality Art Exhibition on a computer/laptop: https://edu.cospaces.io/PMB-KAV The Virtual Private View of the Exhibition was held on Thursday 14th of May 2020 at 8:15pm on Zoom (Virtual drinks provided.)

The artwork is displayed on powder-coated steel gates, designed by Whittle and made at Glasgow Sculpture Studios. It was unveiled on 5 October 2023 at the Queen’s House in Greenwich. Feeling Blue has been developed in response to RMG’s large and varied collections, as well as the history and cultural significance of Greenwich. The 160 x 155 cm tapestry is filled with richly evocative textures, symbolic shapes, and tropical colours. It was woven by hand over a period of six months by Naomi Robertson and Elaine Wilson at Dovecot Studios. They used a variety of techniques, yarns, and over 150 colour mixes to add variety and depth to the surface of the tapestry. Dominating the tapestry is the phrase ‘feeling blue’ which stands out from a background of blues and greens, the combination of different shades resembling water in motion. Blue is immediately associated with oceans and seas but there are also more emotive connotations which Whittle chose to explore. The colour blue, and in particular the term ‘feeling blue’, is used to describe sadness or depression. While the exact origin of the term is uncertain it has been suggested that it comes from the tradition of ships flying blue flags and officers bearing a painted blue band when a captain or officer died. For others, blue symbolises tranquillity. In the Queen’s House the colour blue is used throughout for decoration, notably the balustrade of the Tulip Stairs. Drawing on her research of the British naval uniform, Whittle also reflects on the legacies of British colonialism. From the mid-eighteenth-century, the Royal Navy introduced a uniform for officers made from a deep blue fabric. The colour was achieved using a dye from the indigo plant that was native to India. Until the end of the eighteenth century the indigo plant was grown, harvested and processed by enslaved people on North American plantations. Indentured labourers in India and modern-day Bangladesh also produced indigo for the East India Company. Today, Navy blue endures as a colour of authority from police to military officers, though the history of the colour and connection to colonialism is little known. Whittle continues her exploration of maritime worlds by the inclusion of coloured ropes – reminiscent of those used on ships. For Whittle, rope is a symbol of both hope and oppression. Ropes are associated with bondage, imprisonment and even execution but are equally symbolic of lifelines for people in distress. Whittle’s ongoing engagement with the climate crisis is found in the decorative coral that frames the tapestry. The delicate pastel pinks and vibrant yellows evoke the beauty of tropical oceans and are a reminder of the importance of reefs. Decorative cultured freshwater pearl beads have also been stitched onto the tapestry. As well as representing an oceanic realm, Whittle connects Feeling Blue with two sixteenth-century paintings the Armada Portrait and Sir Francis Drake which will be displayed alongside the tapestry. In both portraits, pearls are used as a symbol of wealth, some of which was derived from colonial trade and exploitation. The tapestry is hung on a set of blue ‘gates’, which are an important component of Whittle’s work. Whittle sees the ‘gates’ as reminiscent of fencing, suggesting containment and control. Placed within the gallery space the gates no longer act as a barrier. Instead, Whittle uses the gates to expand rather than restrict as visitors are free to walk around them and view the tapestry from both sides. The decorative fretwork on the panels evokes the architecture of the Queen’s House, in particular the Tulip Stairs. Alberta Whittle, said: “The commission has been a wonderful opportunity to think deeply about maritime histories and consider the powers in place that decide how these histories are portrayed. This new tapestry is a chance to explore these ideas of power alongside the rhythms of the ocean and its vulnerability under climate colonialism. The commission has also provided me with the opportunity to continue to work with Naomi Robertson and Elaine Wilson at Dovecot Studios and the rest of the fantastic weaving team.” Celia Joicey, Director of Dovecot Studios, said: "This commission represents the contemporary significance of tapestry as a collective medium. Started in the midst of the 2021 lockdown, it is testimony to a group of people responding creatively and collaboratively to the Museum collections. Feeling Blue embodies the passion, focus and skill of Dovecot’s weavers, Alberta Whittle’s endlessly interesting ideas and the care and enterprise of the commissioning team." Katherine Gazzard, Curator of Art, Royal Museums Greenwich, said: “At Royal Museums Greenwich, we are committed to working with contemporary artists whose practice engages with our historic sites and collections, as well as with the present challenges facing our communities and our planet. The opportunity to commission a contemporary tapestry from Alberta Whittle and Dovecot Studios spoke powerfully to this ethos. The finished tapestry will go on public display in the Queen’s House, our flagship art gallery. When the Queen’s House was built in the early 17th century, it was at the cutting edge of art and design. Commissions like Feeling Blue help us to honour that legacy, ensuring that, four centuries after the building’s completion, the Queen’s House continues to showcase artistic innovations and new perspectives.” ---------------------------------------------------------------------------------------------- Feeling Blue Alberta Whittle Tapestry by Dovecot Studios 2023, cotton, linen, synthetic yarn, cultured freshwater pearl beads Tapestry woven for Dovecot by Naomi Robertson, Master Weaver, and Elaine Wilson Displayed on powder coated steel gates made by Glasgow Sculpture Studios Purchased with assistance from the Contemporary Art Society

Discover how weavers in Afghanistan have recorded the country's turbulent history in traditional rugs in this new display. On 24 December 1979 Soviet troops crossed the border into Afghanistan, beginning a protracted 10-year war. As the country was transformed by conflict, Afghan weavers started to include imagery of modern warfare in their carpets and rugs. Birds were replaced by military helicopters. Guns took the place of flowers. Demons fought alongside tanks. This fusion of traditional crafts with the recording of contemporary history created a new artform: Afghan war rugs. This display presents some of the remarkable rugs from the British Museum collection, alongside a selection of objects that explore Afghanistan's complex past and turbulent present. Located between Asia and the Middle East, Afghanistan has always been a point of connection for different cultures. Yet it was also a strategically important territory that dynasties and empires fought over to control.

Serpentine unveils a new site-specific mural by artist Esther Mahlangu. On view in the garden at Serpentine North, the monumental painting celebrates concepts of community and unity. Umuntu ngumuntu ngabantu, which translates directly from Ndebele as ‘I am because you are’, marks her first public artwork in the UK.

See the world through a new lens. Experience the miracle of life on Earth through the world's best wildlife photography. Now in its 60th year, our photography exhibition aims to reveal more of nature's stories. It will take you on a visual adventure through different environments and give you a window into the wild animals that call them home. Witness firsthand how our activities, for good or bad, shape the natural worldExplore stunning imagery, from majestic predators on the hunt to breathtaking compositionsWitness powerful stories of survival, fragility, and life's delicate balanceEach photograph is a reminder of the wonder of the natural world. As well as stunning photography, you'll discover through soundscapes, films and expert insights the diversity and beauty of life on Earth, and what we can do together to protect it.

Priscilla The Party! is an immersive reimagining of the iconic and award-winning musical Priscilla Queen of the Desert. Delivered in three acts with breaks between for fine dining in the Mezzanine or bar snacks on the Dance Floor. Featuring the dance-floor classics like I Will Survive, It's Raining Men and Finally, doors open one hour before show time where two cocktails cost just £15 and a pre-show entertains you before the main event. The performance ends with a dazzling finale show-casing the award-winning costumes and head-dresses which the show is famous for. The evening ends with a disco from our resident DJ. The audience can expect an extravagant display of eye-popping costumes, an exhilarating soundtrack that encourages everyone to sing along and a show which unfolds all around them. There will be immersive dance floor tickets as happens at Guys and Dolls at the Bridge Theatre, with DJ and pre-show entertainment similar to Here Lies Love at the National Theatre, a party sing-a-long atmosphere like ABBA Voyage at the ABBA Arena, cabaret tables with dining options similar to Cabaret at the Playhouse Theatre and dining options and post-show party as happens at Mamma Mia! The Party – in other words, something for everyone! From its dazzling debut in Sydney in 2006, the musical created by Allan Scott and Stephan Elliott has taken the world by storm. It initially graced the London stage in 2009, before conquering Broadway in 2011. The enduring message of acceptance and inclusivity that Priscilla carries remains as significant today as it was when the curtains first rose.

On the first Saturday of each month Abbas Zahedi hosts a support group for the collective processing of ecological grief. In collaboration with thinkers, artists and musicians, participants are invited to consider ‘How can we make sense of a world increasingly shaped by loss and disconnection?’. The discussions take place in a new commission entitled Begin Again. As part of the installation, instruments and playback devices have been plugged into Tate Modern’s utility pipes and deeper architecture. The sound composition shifts between moments of harmony and disintegration. Each sonic collapse prompts the piece to rebuild, emphasising the power of renewal and beginning again. The commission creates a space for collective listening where participants can reflect on how to protect and restore ecological connectivity.

In a time when the world is changing forever, there is one place where everyone can be free. This is Berlin. Relax. Loosen up. Be yourself. One of the most successful musicals of all time, Cabaret features the songs Willkommen, Don’t Tell Mama, Mein Herr, Maybe This Time, Money and the title number. It has music by John Kander, lyrics by Fred Ebb, book by Joe Masteroff, based on the play by John Van Druten and stories by Christopher Isherwood. Before the show, guests are invited to enjoy the Kit Kat Club with drinks, dining and pre-show entertainment all on offer. When booking, guests will receive a ‘club entry time’ so they’re able to immerse themselves in the club. We encourage people to arrive early, leaving plenty of time to explore every nook and cranny of the Kit Kat Club before the show begins. Please note that once the main show begins, we cannot guarantee readmission to the auditorium. This is for both your safety and the safety of the cast. It may be up to a 30-minute wait before being allowed back to your seat. If you have any requirements which mean you are likely to need to leave the auditorium for whatever reason, please speak to a member of staff before the show begins.

A celebration of the boundary-pushing career of artist Leigh Bowery Leigh Bowery’s short but extraordinary life left a distinct, undeniable mark on the art world and beyond. An artist, performer, model, TV personality, club promoter, fashion designer and musician, Bowery took on many different roles, all the while refusing to be limited by convention. From his emergence in the nightlife of 1980s London through to his later daring and outrageous performances in galleries, theatres, and the street, Bowery fearlessly forged his own vibrant path. He reimagined clothing and makeup as forms of painting and sculpture, tested the limits of decorum, and celebrated the body as a shape-shifting tool with the power to challenge norms of aesthetics, sexuality and gender. Embracing performance, club culture and fashion design, Bowery created some of the most iconic images of the 1980s and 90s that continue to resonate, with his influence seen in the work of figures such as Alexander McQueen, Jeffrey Gibson, Anohni, and Lady Gaga. This eclectic and immersive exhibition is a rare chance to experience many of Bowery’s ‘Looks’ alongside his collaborations with artists including Michael Clark, Charles Atlas, Nick Knight, Fergus Greer, Stephen Willats, Nicola Rainbird, Mr Pearl, and Lucian Freud. It will provide a fresh insight into the creative scenes in London, New York and beyond featuring Sue Tilley, Princess Julia, Jeffrey Hinton, RuPaul, Les Child, Andrew Logan, Cerith Wyn Evans, Lady Bunny, Trojan, Rachel Auburn, Scarlett Cannon, Lanah P, MINTY and Boy George. Moving from the club to the stage, to the gallery and beyond, step inside Bowery’s dynamic creative world that blurred the lines between art and life.

The four international artists shortlisted for the Deutsche Börse Photography Foundation Prize 2025 are: Cristina De Middel, Rahim Fortune, Tarrah Krajnak and Lindokuhle Sobekwa.The 2025 shortlisted projects feature documentary photography, constructed images, self-portraiture, performance and family archives. Themes of migration, community and belonging, intergenerational traditions and rituals, family memories and histories are brought together in a powerful shortlist which highlights some of the best work shown or published in Europe in the past year.The annual exhibition of works from the shortlisted projects by the four artists will be on show at The Photographers’ Gallery, London from 7 March to 15 June 2025.

Step into Siena. It’s the beginning of the 14th century in central Italy. A golden moment for art, a catalyst of change. Artists Duccio, Simone Martini and the brothers Pietro and Ambrogio Lorenzetti are forging a new way of painting. They paint with a drama that no one has seen before. Faces show emotion. Bodies move in space. Stories flow across panels in colourful scenes. We bring to life a vibrant city of artists collaborating, learning and looking. After centuries of separation, we reunite scenes that once formed part of Duccio’s monumental 'Maestà' altarpiece. Panels from Simone Martini’s glittering Orsini polyptych come together for the first time in living memory. This local artistic phenomenon made waves internationally. Gilded glass, illuminated manuscripts, ivory Madonnas, rugs and silks show Siena’s creative energy spilling over between painters, metalworkers, weavers and carvers across Europe. With over a hundred exhibits made by artisans working in Siena, Naples, Avignon and beyond, see some of Europe's earliest, most exquisite and most significant artworks.

Discover never-before-seen royal and court fashion treasures in Dress Codes, a new exhibition at Kensington Palace. Explore the codes and conventions of royal clothing, and the powerful impact fashion can make when boundaries are pushed and dress codes evolve. Among the highlights of this exciting new exhibition are pieces worn by a young Queen Elizabeth II, Diana, Princess of Wales, Dame Vivienne Westwood, Princess Margaret and Queen Victoria. Dress Codes will showcase both recognisable and rarely-seen treasures from the Royal Ceremonial Dress Collection, a collection of 10,000 objects spanning 500 years, cared for by Historic Royal Palaces. Stunning items from the Royal Ceremonial Dress Collection on display in 2025 include an extremely rare Japanese court suit dating from the early 20th century, and a never-before-seen 1920s Reville court dress worn to Buckingham Palace. Alongside these spectacular examples of royal and court dress, discover how dress codes can be reset and re-made for today through designs by our Young Producers, aged 14-17. This new partnership with local youth groups paves the way for a new generation of young people to contribute to the arts and fashion industries.

Step into the world of regal elegance with Royal Style in the Making, a captivating new exhibition at Hillsborough Castle. Unveiling the intimate bond between royal clients and fashion designers, discover how the British fashion industry has crafted the iconic style of the British royal women. The exhibition showcases three stunning outfits on display, including the extraordinary toile used in the design of Queen Elizabeth The Queen Mother’s coronation gown, worn in 1937. Original design drawings feature some of Britain’s finest designers including Madame Handley Seymour, Norman Hartnell, Hardy Amies and Oliver Messel. Don’t miss sketches from David Sassoon, for Diana, Princess of Wales, including her handwritten comments. A thrill for fashion fans, don’t miss this unique journey into regal elegance and history, only until 04 January 2026.

Pitzhanger Manor & Gallery presents a new exhibition of sculpture by artist and designer Nicole Farhi. Farhi will display 25 cast ciment fondu busts, each hand painted with acrylic paint and depicting victims of miscarriages of justice across multiple countries around the world over the past 125 years. Running from 19 March to 15 June 2025, the exhibition portrays victims whose wrongful convictions have shaped legal history. The exhibition takes its name from J’Accuse…! — Émile Zola’s famous open letter that exposed the wrongful conviction of Captain Alfred Dreyfus in France in 1898. Inspired by Dreyfus’s case, Farhi has spent the past two years researching and sculpting figures from around the world who have been unjustly accused, from Timothy Evans, whose wrongful execution helped abolish capital punishment in Britain, to Andrew Malkinson, who spent 17 years in prison before his conviction was overturned in 2023, leading to the resignation of Helen Pitcher, Chair of the Criminal Cases Review Commission.

Discover the imaginary worlds of Victor Hugo, one of France’s most famous writers, at this exhibition of his rarely-seen works on paper. Victor Hugo (1802–1885) was a leading public figure in 19th-century France. His books Les Misérables and The Hunchback of Notre Dame were printed worldwide. As both a poet and a politician, during his nearly twenty-year exile in the Channel Islands, he came to symbolise the ideals of the French republic: equality and freedom. In private, his refuge was drawing. Hugo’s ink and wash visions of imaginary castles, monsters and seascapes are as poetic as his writing. His works inspired Romantic and Symbolist poets, and many artists including the Surrealists. Vincent van Gogh compared them to “astonishing things”. This exhibition follows Hugo’s preoccupation with drawing, from his early caricatures and travel drawings to his dramatic landscapes and his experiments with abstraction. It features some of his finest works on paper, which are rarely on public display and were last seen in the UK over 50 years ago.

“Echoes Within” captures the hidden mind, stirred by intangible emotions. The artist attempts to ground inner turmoil by creating still, contemplative images – tangible landscapes where the mind can rest, contrasting with the elusive, fleeting nature of subconscious thoughts and feelings. Yet encountering these images is not a silent experience. The viewer is confronted with their own emotional responses, sparking an inner dialogue and sending them on a personal journey to discover their own interpretation.

A major exhibition celebrating our enduring love of the water over the last 100 years. Explore the full spectrum of the design of swimming — from sports performance and fashion, to architecture.

The latest Fourth Plinth commission 'Mil Veces un Instante (A Thousand Times in an Instant)’ by Mexican artist Teresa Margolles was unveiled on Wednesday 18.09.2024. The monolithic sculpture was made with plaster cast molds of the faces of 726 transgender people from Mexico and the UK. The molds were made by applying plaster directly onto each individual’s face. The resulting object is both a visual record of their respective features and, imbued with hair and skin cells, a material infusion of their physicality.

With the hottest headliners and music legends both past and present, this is the ultimate festival experience that you do not want to miss!

Bringing together art from across Tate’s Collection, this exhibition highlights the connection between environmental and social justice, inviting us to reimagine our relationships with the natural world and each other. Artists Outi Pieski, Abbas Akhavan, Bruce Conner, Zheng Bo, Gauri Gill & Rajesh Vangad, Edgar Calel and Carolina Caycedo feature, as well as a new commission by Abbas Zahedi. Through their work, these artists honor Indigenous knowledge, nurture queer multispecies relations and document issues such as displacement and destruction of land and waterways.

London Mithraeum Bloomberg SPACE showcases a series of contemporary art commissions, responding and bringing fresh perspectives to the site’s archaeological history. The current installation is 0.1% by Jonathan Baldock.

Explore the forgotten story of Indian Army soldiers who camped at Hampton Court Palace in the early 20th century, through a new exhibition of previously unseen objects, photographs, film and personal stories.

For centuries, portraiture has played a vital role in shaping the public’s perception of the Royal Family. This exhibition charts the evolution of royal portrait photography from the 1920s to the present day, bringing together photographic prints, proofs and documents from the Royal Collection and the Royal Archives. Discover works from the most celebrated royal photographers, from Cecil Beaton and Dorothy Wilding to Annie Leibovitz and Rankin. Explore some of the close relationships between royal sitters and photographers, seen most clearly through the lens of Antony Armstrong-Jones (later Lord Snowdon), who married Princess Margaret in 1960.

Pitzhanger Manor & Gallery hosts a major new exhibition by painter Alison Watt, marking her first major public gallery exhibition in London since 2008. From Light includes 18 new paintings created specifically for Pitzhanger. The title reflects the centrality of light in both Watt’s work and that of Sir John Soane, the architect of Pitzhanger, in harnessing light to shape space and create atmosphere. For Watt, light is the ‘very substance of painting’, while for Soane, it defined the architecture of Pitzhanger.

Peter Mitchell (b.1943, UK) is widely regarded as one of the most important early colour photographers of the 1970s and 80s. A powerful storyteller and social historian, Mitchell’s photography unfolds a longstanding and poetic connection with Leeds. He has chronicled the people and places, and the demolition and development of the city with warmth and familiarity for over 40 years.

Grayson Perry: Delusions of Grandeur presents over 40 new works by Sir Grayson Perry (1960). In the largest contemporary exhibition ever held at the museum, visitors will encounter ceramics, tapestries and works on paper amongst others, displayed alongside masterpieces from the collection that helped shape Perry’s vision for this landmark show. Delusions of Grandeur will interrogate the very nature of craft-making and our drive for perfectionism. Intricate handcrafted objects will be shown alongside works made with digital technology – comparing an object that may have taken thousands of hours to create against one that was possible with the click of a button. Through these contrasting approaches, Perry will ask the viewer to contemplate questions concerning authenticity and the artist’s role in the future.

See the first UK exhibition of Mexico’s much-loved artist, José María Velasco.Velasco, working in Mexico in the 19th century, was a man of many interests. He was fascinated by advances in geology, the archaeology of his home country, the study of local flora, and the increasing presence of industrialisation. He painted the sweeping landscapes of the Valley of Mexico, the home of modern-day Mexico City, with exquisite detail. His impressive panoramic views of the valley reveal allusions to Mexico's historic past and its rapidly modernising present.Velasco was keenly aware of his country’s industrialisation, capturing expanding train lines and factories alongside botanically accurate studies of plants. His scientific eye inspired his art, and his love of geology is clear to see in his detailed depictions of rocks and volcanoes. This exhibition, the first-ever dedicated to a Latin American artist at the National Gallery, marks the 200th anniversary of diplomatic relations between Mexico and the UK. And it celebrates Velasco’s place among the great 19th-century landscape painters.