Featured Events in New York in August 2024 (June Updated)

Hamilton is the story of the unlikely Founding Father determined to make his mark on the new nation as hungry and ambitious as he is. From orphan to Washington's right-hand man, rebel to war hero, a loving husband caught in the country's first sex scandal, to the Treasury head who made an untrusting world believe in the American economy. George Washington, Eliza Hamilton, Thomas Jefferson and Hamilton's lifelong friend/foil Aaron Burr all make their mark in this astonishing new musical exploration of a political mastermind.

The Gazillion Bubble Show is a live, interactive performance that showcases the mesmerizing art of creating bubbles. The show features a variety of bubble-related acts, including creating bubbles within bubbles, giant bubbles that encapsulate audience members, and even bubble sculptures that float and dance around the stage. The performers use a range of props, including wands, hoops, and even their bare hands, to create an incredible variety of shapes and sizes of bubbles.

The show is a modern retelling of William Shakespeare's play Romeo and Juliet, but with a twist - it explores an alternative ending where Juliet doesn't die and instead sets out to discover her own identity and independence.

Based on the award-winning HBO documentary, How to Dance in Ohio is a heart-filled new musical exploring the need to connect and the courage it takes to step out into the world.

Eminent American composer John Adams returns to the Met after a decade-long hiatus for the company premiere of his acclaimed opera-oratorio, which incorporates sacred and secular texts in English, Spanish, and Latin, from biblical times to the present day, in an extraordinarily dramatic retelling of the Nativity. El Niño brings together three of contemporary opera’s fiercest champions, all of whom make highly anticipated company debuts: Marin Alsop, one of the great conductors of our time, who has led more than 200 new-music premieres; soprano Julia Bullock, a leading voice on and off stage; and pathbreaking bass-baritone Davóne Tines. Radiant mezzo-sopranos J’Nai Bridges and Daniela Mack take turns completing the principal trio.

“There is design in everything,” wrote Clara Porset, the innovative Cuban-Mexican designer. She believed that craft and industry could inspire each other, forging an alternative path for modern design. Not all of Porset’s colleagues agreed with her conviction. This exhibition presents these sometimes conflicting visions of modernity proposed by designers of home environments in Argentina, Brazil, Chile, Colombia, Mexico, and Venezuela between 1940 and 1980. For some, design was an evolution of local and Indigenous craft traditions, leading to an approach that combined centuries-old artisanal techniques with machine-based methods. For others, design responded to market conditions and local tastes, and was based on available technologies and industrial processes. In this exhibition, objects including furniture, appliances, posters, textiles, and ceramics, as well as a selection of photographs and paintings, will explore these tensions. The home became a site of experimentation for modern living during a period marked by dramatic political, economic, and social changes, which had broad repercussions for Latin American visual culture. For nearly half a century, the design of the domestic environment embodied ideas of national identity, models of production, and modern ways of living. The home also offered opportunities for a dialogue between art, architecture, and design. Highlights of the exhibition include Clara Porset’s Butaque chair; Lina Bo Bardi’s Bowl chair; Antonio Bonet, Juan Kurchan, and Jorge Ferrari Hardoy’s B.K.F. Chair; and Roberto Matta’s Malitte Lounge Furniture.

This mini-retrospective features over 35 pieces that demonstrate Liu Shiming’s (1926-2010) stature as a leading figure in modern Chinese sculpture, and an artist whose vision resonates across cultures and countries.

The eighty-first edition of the Whitney Biennial—the longest-running survey of contemporary art in the United States—features seventy-one artists and two collectives grappling with many of today’s most pressing issues. This Biennial is like being inside a “dissonant chorus,’ as participating artist Ligia Lewis described it, a provocative yet intimate experience of distinct and disparate voices that collectively probe the cracks and fissures of the unfolding moment. The exhibition’s subtitle, Even Better Than the Real Thing, acknowledges that Artificial Intelligence (AI) is complicating our understanding of what is real, and rhetoric around gender and authenticity is being used politically and legally to perpetuate transphobia and restrict bodily autonomy. These developments are part of a long history of deeming people of marginalized race, gender, and ability as subhuman—less than real. In making this exhibition, we committed to amplifying the voices of artists who are confronting these legacies, and to providing a space where difficult ideas can be engaged and considered. This Biennial is a gathering of artists who explore the permeability of the relationships between mind and body, the fluidity of identity, and the growing precariousness of the natural and constructed worlds around us. Whether through subversive humor, expressive abstraction, or non-Western forms of cosmological thinking, to name but a few of their methods, these artists demonstrate that there are pathways to be found, strategies of coping and healing to be discovered, and ways to come together even in a fractured time. The 2024 Whitney Biennial is organized by Chrissie Iles, Anne and Joel Ehrenkranz Curator and Meg Onli, Curator at Large, with Min Sun Jeon and Beatriz Cifuentes. The performance program is organized by Iles and Onli, with guest curator Taja Cheek. The film program is organized by Iles and Onli, with guest curators Korakrit Arunanondchai, asinnajaq, Greg de Cuir Jr, and Zackary Drucker. View the film and performance program.

Kosovar artist Petrit Halilaj (born 1986 in Kostrci, former Yugoslavia) was commissioned to create a site-specific installation for the museum's Iris and B. Gerald Cantor Roof Garden. For the artist's first major project in the United States, Halilaj transformed The Met Roof with a massive sculptural installation. Halilaj's work is closely tied to the recent history of his native Kosovo and the consequences of cultural and political tensions in the region. After studying art at the Brera Academy in Italy, he moved to Berlin in 2008, where he still lives and works. His projects span a variety of media including sculpture, painting, poetry and performance.

For more than two decades, LaToya Ruby Fraser has used photography, text, moving image, and performance to resurrect and preserve forgotten narratives of labor, gender, and race in the post-industrial age. Bringing together work from 2001 to 2024, this exhibition highlights the full range of Fraser’s practice to date, including several rare and never-before-seen works.

Close to Home is an installation that honors the domestic space as a custodian of cultural and spiritual traditions by providing support and comfort to forge appreciation for heritage and their continuity. Modeled after Nsenga Knight’s family residences from their past six years living in Cairo, Egypt, the installation’s eclectic atmosphere reflects the historic and cosmopolitan. While furnished in various materials and styles, old and new, this family home is also adorned with artifacts from the 1964-1965 New York World’s Fair as well as artworks by Knight, including paintings, prints, videos, and wallpaper. A Brooklyn-born Afro-Caribbean American Muslim artist, Knight researched the Queens Museum’s 1964-1965 New York World’s Fair Archives with a focus on the representations of the then-newly postcolonial Islamic African and Caribbean nations. The historical trajectory of these nations and their influence on Black Americans has emerged as the central focus of her exhibition. Knight presents this exhibition as both a home and a forum for “Peace Through Understanding,” echoing the theme of the 1964-1965 New York World’s Fair. She extends this concept into the exterior section of the installation. Hovering above are words initially spoken by martial arts masters at the SWAM Academy of Modern Martial Arts in South Jamaica, Queens. Transcribed by Knight word-by-word, these “poems” encapsulate their wisdom about self defense, spirituality, and ethical integrity imparted at the renowned Black Muslim-owned dojo. The act of safe-keeping and hope for peace extends to the toy paragliders in the exhibition. These airborne devices carry complex yet arbitrary layers of symbolism related to the Museum’s building history. The New York City Building housed the General Assembly of the United Nations in 1947 when they passed Resolution 181 to partition Palestine into Arab and Jewish states. By juxtaposing SWAM poetry with paragliders and parachutes, Knight considers how to position peace and safety amidst conflict and oppression. Food culture also played a pivotal role in the World’s Fair. Close to Home will host a scheduled series of social gatherings by serving tea and coffee in this installation. With this act of hospitality, Knight calls on viewers to consider the power of sensorial and experiential engagement to foster understanding, connection, and appreciation among people from various corners of the world. Close to Home is curated by Hitomi Iwasaki, Director of Exhibitions/Curator. Nsenga Knight (b. Brooklyn, New York, 1981) is an In Situ Artist Fellow at the Queens Museum. She earned an MFA from University of Pennsylvania and a BA from Howard University. She has exhibited her work internationally, including: Contemporary Image Collective, Cairo, Egypt (2022); Drawing Center, New York, NY (2017, 2016); Project Row Houses, Houston, TX (2015); New Museum of Contemporary Art, New York, NY (2011); among others. Knight is a recipient of grants from Pollock-Krasner Foundation (2019), Foundation for Contemporary Art (2016), Brooklyn Arts Council (2007). She was an artist-in-residence at BRICworkspace, Brooklyn, NY (2019); and Film/Video Arts Center, New York, NY (2005) among others. She lives and works in New York.

Exploring the intersection of art making and play, Cas Holman designs innovative toys and tools that inspire participatory imagination. Prototyping Play experiments with the different modes of intuitive and child-directed free play in an art museum environment by extending the body’s movements with uniquely crafted elements and prompts. Released in two phases, Holman’s open-ended playthings and playspaces foster collaboration, inventive thinking, and interactivity. Prototyping Play invites artists of all ages to create, exchange, cooperate, and leave your mark through these new devices. Tracing Play (launching May 19, 2024): Drawing Tools and Drawing Pads invite collective acts of drawing. The awkwardly shaped, human-sized Drawing Tools are equipped with large-scale crayons which challenge users to collaborate in figuring out how to use them. The fun is in the creative process. You can make marks using these tools on the Drawing Pads, or Tyvek paper surfaces, where your drawings will inspire future markmakers. Alternatively, you can collaborate with markmakers who visited the exhibition beforehand. Critter Party (launching July 2024): For this playscape, Holman has created different elements: the Mama Critter, Baby Critters, and Thingies. The arched Critters invite various types of interaction and opportunities for transformation, while the add-on objects, or Thingies, offer the possibility to adapt each structure with new narratives and identities. Encouraging crawling, sliding, building, storytelling, pretending, and more, the assorted sizes of Critters demonstrate how scale can change our relationship with shapes and spaces. Each critter, as well as the open-ended, reconfigurable Thingies, accommodate various types of play, depending on the desired sensory and social engagements. Here, Holman creates inclusive environments where many different types and ways of playing can coexist together. Prototyping Play will activate the Skylight Gallery as the Queens Museum prepares for a children’s museum that encourages intergenerational learning experiences. This playscape will further the Museum’s knowledge of its audiences and facilitates test thinking for future family programming. Prototyping Play is curated by Lauren Haynes, Director of Curatorial Affairs and Programs, and Kimaada Le Gendre, Director of Education.

In Buenos Vecinos, which translates to “good neighbors,” Catalina Schliebener Muñoz confronts the impact of two Walt Disney animated films: Saludos Amigos (1942) and Los Tres Caballeros (1944). Both films emerged from Disney’s state-sponsored research trips to South and Central American nations as part of The Good Neighbor Policy, which sought to discourage Nazi influence and improve the United States’ public image in Latin America following its numerous military invasions throughout the early 20th century. Disney and his team of artists toured Argentina, Brazil, Bolivia, Chile, Peru, and Mexico to generate visual motifs and storylines for recognizable characters like Donald Duck and Goofy, as well to create new characters, songs, and dances based on local customs and archetypes. Schliebener Muñoz examines how these films functioned as a form of soft power, enlisting children’s media towards the economic and geopolitical interests of the United States. Through installation, collage, sculpture, and murals, the artist subverts reductive and exoticized representations of Latin American cultures in the films to center its secondary characters and rebellious underdogs. Schliebener Muñoz also contends with Disney’s depictions of gender, sexuality, race, and Indigeneity by appropriating and fragmenting the films’ imagery to create critical narratives of resistance. Acknowledging the capacity of stories to shape value systems, the exhibition employs mirroring, queer coding, ambiguity, and humor to challenge the imposed boundaries between the real and fictional, natural and synthetic, spectacular and grotesque. As World War II gave way to the Cold War, the United States abandoned Pan-American unity to support coups and dictatorships in many of the countries depicted in Disney’s films. Schliebener Muñoz incorporates archival materials that address the aftermath of The Good Neighbor Policy, U.S. interventionism, and imperialist ideology through the history of the Queens Museum’s site. This building hosted the former United Nations, where decisions ranged from the 1947 partition of Palestine to the creation of UNICEF, and is also located on the grounds of the 1964-1965 New York World’s Fair where Disney premiered the “it’s a small world” attraction. For Schliebener Muñoz, this context becomes integral to understanding the legacy of Disney’s films alongside hostile foreign policies, and how the imagination of children became a vehicle for the projection of American innocence and exceptionalism on the global stage. Buenos Vecinos is curated by Lindsey Berfond, Assistant Curator and Studio Program Manager.

William Kentridge: New Gravures 2022 – 2024 David Krut Projects, New York June 6 - August 3, 2024 Opening Reception: Thursday, June 6 from 6-8pm David Krut Projects, New York is pleased to announce William Kentridge: New Gravures 2022 – 2024, a continuation of exhibitions showing the artist’s editioned works collaboratively created at David Krut Workshop (DKW) in Johannesburg. New Gravures will be on view from June 6 – August 3, 2024 at our Project Space in the West Chelsea Building at 526 West 26th Street. William Kentridge's gravure collaborations with David Krut Projects date back to 2000, when Krut invited Randy Hemminghaus of Galamander Press to visit South Africa to create the artist’s first gravure plates. The plates were editioned at Galamander Press in New York in the workshop that became the location of David Krut Projects in Chelsea. Twenty years later, Kentridge returned to the gravure process with plates created in South Africa and this time editioned at David Krut Workshop in Johannesburg, which was established in 2002. The reintroduction of the gravure medium to Kentridge's repertoire proved to be a versatile and effective tool, enriching his image-making process and allowing him to navigate the distance between his team of long-time collaborators, now dispersed internationally. It enabled Kentridge to continue working with Master Printer Jillian Ross, who was his primary printer at DKW for seventeen years before returning home to Canada in 2020. David Krut Workshop printers have enabled an ongoing collaboration with the artist and Ross, with the new editions in this exhibition reflecting Kentridge's expanded use of the medium - incorporating multiple plates and collaging to present the concept of a fragmented view of identity. The body of work features Kentridge's well-recognized visual lexicon of processions, trees, and self-portraits, inviting viewers to contemplate their own journey of self-discovery and the interconnectedness of human experience. The most recent work and focal point of the show is My Father is a Tree in a Forest of Fathers, born from the initial pre-production set imagery of Kentridge’s forthcoming theatrical performance, The Great Yes, The Great No. Set to premiere in July 2024 in Aix-en Provence, France, this chamber opera delves into themes of power, colonialism, and migration, drawing on diverse influences and once again inviting audiences to contemplate the complexities of human existence. For more information, please contact info@davidkrut.com. David Krut Projects, New York 526 West 26th Street, Suite 816, New York, NY 10001 T. 212-255-3094 | E. info@davidkrut.com | Hours: Tuesday - Saturday from 11-6pm

For over three decades Daniel Rozin has been exploring the mechanisms of reflection. The artist utilizes custom software and mechanical engineering to examine a range of materials that reflect the viewer’s image in real-time. For his tenth exhibition at the gallery, Contours, the artist turns his focus to the outline of the human form. Rozin’s works often invite true-to-image reflection. Exhibited works in Contours shift away from rich appearance and towards the tension of delineated borders. Modern masters such as Pablo Picasso and Keith Haring celebrated the tension between line and area, inside and out, by implementing silhouettes and abstraction. Rozin presents four new pieces that approach the minimal side of reflection through the diverse materials of lenses, straps, carbon fiber tubing, and light. One Candle Mirror is a monumental installation situated in total darkness. The sculpture’s single light is diffused by 276 lenses positioned in front of the single candle. Each lens is articulated by a motor that rotates its focal direction “bending” the light to depict the viewer’s likeness while they move around the space. Rozin references the effect to that of a solar eclipse, citing the 1919 eclipse as a notable event that historically verified Albert Einstein’s theory of gravity bending light. Einstein’s theory was proven to be true by measures taken by Arthur Stanley Eddington during a total solar eclipse. In front of Rozin’s sculpture the viewer’s reflection is expressed as a silhouette made by the absence of light. In a nod to Keith Haring’s famously defined figures, Rozin plays with art historical archetypes through physical means. RGB Lights Mirror employs color reflection and is the 25th piece in the artist’s Mechanical Mirrors series that began in 1999 with Wooden Mirror. RGB Lights Mirror returns to the idea of turning tiles towards a bright light to activate them as pixels in a physical image. The work is made from aluminum knobs that rotate to face red, green, or blue lights and become color pixels. The vivid lights, coupled with the glow of the aluminum knobs, result in a saturated display that looks deceptively like an LED screen or a projected image. Viewers standing in front of the piece see themselves in saturated color and full motion. Rozin’s latest works, Contour Mirror and Straps Mirror, exemplify the artist’s analysis of form and outline. Contour Mirror is equipped with two columns of carbon fiber tubes. Contrasting yellow caps highlight the ends of each tube. When a viewer stands in front of the sculpture, all tubes respond in a choreography that aligns their yellow ends to portray the viewer’s outline. Straps Mirror continues Rozin’s investigation of constructing images by means of straight line objects. His exploration began in 2010 using wooden slats in the artwork X by Y and Twisted Strips (2012). This latest piece approaches straight lines through ribbons consisting of half white and half black straps that roll using custom mechanics. The work creates a high contrast image that investigates the contrast between monochromatic two dimensional areas and one dimensional lines.

Edward C. Moore (1827–1891), the creative force that led Tiffany & Co. to unparalleled ingenuity and success in the second half of the 19th century, amassed an extensive collection of decorative arts of exceptional quality and in a wide variety of materials, from Greek and Roman glass and Japanese basketry to metalwork from the Islamic world. These objects served as a source of inspiration for Moore, a renowned silversmith, and the designers he mentored. Collecting Inspiration: Edward C. Moore at Tiffany & Co. will feature more than 180 objects from Moore’s extraordinary personal collection donated to the museum, as well as 70 magnificent pieces of silver designed and crafted at Tiffany & Co. under his direction. Drawn primarily from the Met’s collection, the exhibition will also include rare specimens from more than a dozen private and public lenders. An iconic figure in the history of American silver, Moore played a key role in shaping the legendary Tiffany design aesthetic and in the evolution of the Met’s collection.

“I think of myself, standing in a world that is never standing still,” the artistRobert Frankonce wrote. “I’m still in there fighting, alive because I believe in what I’m trying to do now.”Life Dances On: Robert Frank in Dialogue—the artist’s first solo exhibition at MoMA—provides a new perspective on his expansive body of work by exploring the six vibrant decades of Frank’s career following the 1958 publication of his landmarkphotobook,The Americans. Coinciding with the centennial of Frank’s birth, the exhibition will explore his restless experimentation across mediums including photography, film, and books, as well as his dialogues with other artists and his communities. It will include some 200 works made over 60 years until the artist’s death in 2019, many drawn from MoMA’s extensive collection, as well as materials that have never before been exhibited. The exhibition borrows its title from Frank’s poignant 1980 film, in which the artist reflects on the individuals who have shaped his outlook. Like much of his work, the film is set in New York City and Cape Breton, Nova Scotia, where he and his wife, the artist June Leaf, moved in 1970. In the film, Leaf looks at the camera and asks Frank, “Why do you make these pictures?” In an introduction to the film’s screening, he answered: “Because I am alive.” Organized by Lucy Gallun, Curator, with Kaitlin Booher, Beaumont and Nancy Newhall Curatorial Fellow, and Casey Li, 12 Month Intern, Department of Photography

This focused exhibition presents a selection of superlative drawings from the courts and centers of India and Pakistan (with a few related Persian works) dating from the late sixteenth to the twentieth century. These works are mainly selected from The Met collection in partnership with film director James Ivory, whose recent gift to the Museum of nineteenth-century photograph albums will also be featured in the exhibition (2021.381.1-16). The drawings will include fresh and informal preparatory exercises for paintings as well as beautifully finished works in their own right. The photographs will present the subject matter and styles that came about in the contexts of royal patronage and ceremony; views of architecture, cities, landscapes, and people, among others. As an artist and filmmaker, James Ivory will help us appreciate this material through his unique gaze. A short film — An Arrested Moment — directed by Dev Benegal, will accompany the show.

Find the perfect run club for you at Custom Performance's Run Club Fair in New York City. Meet with various Team Partners to find a running crew that suits your needs. This event will take place on August 7, 2024, at Custom Performance. Exact location: 295 Madison Avenue 10th floor, New York, NY 10017. Instead of spending time researching different teams and attending multiple practices, streamline the process by attending the fair. Interact with team representatives, get a feel for the community, and vibe check teams on the spot, all in one convenient location. Enjoy light refreshments while chatting with team reps who are eager to answer your questions. Tickets are available for $5 - $15 and include access to the fair. Custom Performance is committed to fostering a strong community and helping you find your perfect fit. Don't miss this opportunity to join a supportive running community at Custom Performance's Run Club Fair. For more updates & info, please stay tuned on Trip.com.

Enjoy the beats of Danny Avila at MUSICA NYC in New York City. Inspired by the lively atmosphere of Riccione, Italy, MUSICA NYC sets the stage for an unforgettable EDM experience. With gorgeous lighting, cutting-edge technology, and world-class DJs, this venue offers a dynamic setting across two dance floors, dual DJ booths, and multiple bars. Guests can also enjoy the urban oasis of the stunning rooftop terrace amidst the energetic ambiance. For those seeking a premium experience, table reservations are available by contacting George K. Please note that all attendees must be 21+ with a valid state ID. Join us at Musica Club NYC, 637 West 50th Street, New York, NY 10019, on August 10th for an evening filled with pulsating music and unparalleled energy. Get your tickets now for a night to remember, prices range from $24.84 to $666.15. For more updates & info, please stay tuned on Trip.com.

Let's enjoy the treadFAST 2024 Dance Festival in New York. The festival will take place at the KnJ Theater at Peridance, located at 126 East 13th Street, New York, NY 10003. The event is scheduled for August 10th at 8 PM and August 11th at 5 PM. The treadFAST 2024 Dance Festival will have two captivating acts. Act I, titled "VICES," is a 30-minute dance narrative that delves into the struggles of daily life through the lens of vices such as Love, Alcohol, Drugs, Tattoos, and Self Isolation. Act II, "Creation Station LIVE!" shows a variety of dance works from treadFAST dance companies, Summer Performance Workshop students, Creation Station projects, and Guest Choreographers. The treadFAST 2024 Dance Festival will have a runtime of approximately 80 minutes with a 10-minute intermission. Don't miss this opportunity to see the talents of performers like Kaylee DaCosta, Calli Chafin, Kathleen Laituri, Corey Wright, Svetha Nallapaneni, and Sophia Ricci. Tickets for this the treadFAST 2024 Dance Festival range from $50 to $115. For more updates & info, please stay tuned on Trip.com.

Eighteenth- and nineteenth-century landscape artists often sketched outdoors in oil paint on paper to capture nature from direct observation. Yet as natural as these scenes look, the vantages were chosen or augmented to draw the viewer into the composition. Whether through adding a prescribed path, capturing flecks of light glinting off a winding river, or presenting a series of plateaus receding into the distance, artists created a point of entry and route along which the viewer could journey. These small-scale oil sketches—including a work by one of the few female European landscape painters of her era, Louise-Joséphine Sarazin de Belmont—illustrate how artists synthesized the real and ideal to evoke the experience of encountering nature.

Come to see performance by Borgore at MUSICA NYC on August 16th. Musica Club NYC draws inspiration from Italy's nightlife scene in Riccione. Musica offers: two dance floors, dual DJ booths, & multiple bars. Guests can also unwind on the stunning rooftop terrace. For those seeking a wonderful EDM experience, Musica NYC is the place to be. Contact George K for table reservations or further information. Please note that attendees must be 21 years or older with a valid state ID. No refunds are available for this event. Borgore, whose real name is Asaf Borger, hails from Tel Aviv, Israel, and has made a significant impact on the electronic dance music scene. He describes his sound as a mix of "commercial American hip-hop and death metal being played through various farm animals," which highlights his unique approach to music. Borgore is celebrated for his contributions to the dubstep genre, with a style that integrates heavy basslines, aggressive beats, and innovative soundscapes. Some of his well-known tracks include "Decisions," featuring Miley Cyrus, and "100s," which showcase his ability to blend different musical elements seamlessly. The event at MUSICA NYC is expected to deliver an unforgettable experience with Borgore's high-energy performance and the venue's exceptional amenities. For those seeking a premium experience, table reservations are available by contacting George K at 914-520-8150. Please note that attendees must be 21 years or older with a valid state ID, and there are no refunds available for this event. Tickets for the event are on sale, with prices ranging from $25.34 to $777.65, depending on the package selected. For more updates & info, please stay tuned on Trip.com.

Experience an evening of entertainment and merriment at the Sandlot Soiree 24'. Taking place at Tailor Public House in New York City on Saturday, August 24th. The Sandlot Soiree 24' gives a delightful atmosphere filled with music, games, and a generous three-hour open bar. Join this soirée where you can leave your stress behind and indulge in the festivities. Get your tickets now for just $91.71 and get ready for a night to remember in New York. The Sandlot Soiree 24' kicks off at 8:00 PM and runs until 11:00 PM, providing ample time to enjoy all the festivities. The Sandlot Soiree 24' promises a fun and relaxed environment where attendees can leave their worries behind and indulge in the night's activities. The event is designed to create a memorable experience, combining the best of social interactions with entertainment and games that encourage mingling and enjoyment​. Tailor Public House, known for its classic comfort food, craft beers, and specialty cocktails, is an excellent venue for such an event. Located in Midtown Manhattan, it's easily accessible and known for its welcoming atmosphere and excellent service. Don’t miss this chance to be part of an unforgettable evening in New York City. Gather your friends, grab your tickets, and get ready for a night of fun and festivities at the Sandlot Soiree 24'. For more updates & info, please stay tuned on Trip.com.

NYC's premiere Pacific Island festival celebrating artistic excellence in performance, cultural workshops, and an Ori Tahiti competition. Our second eveing of the Walking Rocks performance will be preceeded by a Meet & Greet cocktail party. Members of the community are invited to attend and have a drink and mingle with friends and family prior to the performance. Space is limited. The awards ceremony for the Ori Tahiti competition will immediately follow the performance. Information Source: Te Ao Mana | eventbrite

All are welcome to join us for bestselling author Gayle Forman's launch of her new book, Not Nothing. Join us to meet author Gayle Forman as she launches her latest multigenerational middle grade novel of hope, compassion, and forgiveness. Not Nothing is as timely as it is timeless, featuring a boy who has been assigned to spend his summer volunteering at a senior living facility, where learns unexpected lessons that change the trajectory of his life. Books will be available for purchase & signing by the author. Information Source: The Hampton Library in Bridgehampton | eventbrite

The event "Uniform" will take place in New York at the Bowery Ballroom located at 6 Delancey St., New York, NY, 10002 on August 30, 2024. This event promises to be a memorable experience for attendees interested in exploring the world of uniforms. Whether you are a collector, historian, or simply curious about the significance of uniforms in various fields, this event offers a unique opportunity to learn and engage with like-minded individuals. Mark your calendar and don't miss out on this informative and engaging event in the heart of New York City.