Things to do in Guangchang

2026 Global 100 - Night Attractions

Wangxian Valley

Wangxian Valley is located at the northern foot of Lingshan Mountain, hidden among mountain streams and gorges. It was formerly an abandoned granite quarry and, after years of ecological restoration, has been built into the valley town it is today. The attraction is structured around the Jiuniu Stream Gorge, where streams flow through the valley and waterfalls cascade in layers; the Sandie Waterfall and Sankou Pot are among its most recognizable natural views. In summer, visitors can also experience gorge rafting that winds through the ancient town. The cliffside building complex on Baihe Cliff is the attraction's signature view. On the nearly 100-meter-high cliff face, cantilevered guest rooms, plank walkways, and viewing platforms climb upward in a zigzag pattern, looking up from the valley floor like pavilions in the sky. After nightfall, the cliff lights come on one after another, and the entire valley resembles a painted scroll of lights; standing on Lanyue Bridge and gazing at the full panorama of Baihe Cliff is a classic photo spot here. The Yanpu Old Street in the valley restores the appearance of traditional dwellings in northeastern Jiangxi, with rammed earth walls, bluestone slab paths, and horse-head walls interwoven throughout. Workshop Street is lined with traditional handicraft workshops for brown sugar, brewing, papermaking, cloth dyeing, and more, where you can watch ancient production methods on site; Mingchan Alley gathers intangible cultural heritage crafts such as bamboo weaving and woodwork. Bawei Street offers a dazzling array of Jiangxi-style snacks such as dengzhan guo and taro dumplings. When visiting, it is recommended to enter the attraction in the afternoon so that you can clearly see the gorge landforms in daylight without missing the spectacular lighting after nightfall. The entire route requires walking and climbing stairs, so comfortable, slip-resistant shoes are advisable.

Yiqian Lotus Ancient Town

2026 Global 100 - Night Attractions

Tengwang Pavilion Tourist Area

Tengwang Pavilion Tourist Area is located on the east bank of the Gan River in Nanchang, with the riverside Tengwang Pavilion as its centerpiece. Originally built in the fourth year of the Yonghui era of the Tang Dynasty by Li Yuanying, Prince of Teng and son of Emperor Gaozu of Tang, it gained eternal fame through Wang Bo's "Preface to Tengwang Pavilion." Alongside the Yellow Crane Tower and Yueyang Tower, it is hailed as one of the "Three Great Towers of Jiangnan." Historically destroyed and rebuilt nearly thirty times, the current structure is a Song-style replica completed in 1989, designed based on Liang Sicheng's reconstruction sketches. With its green tiles and layered eaves, it remains a landmark of Nanchang to this day. The main pavilion follows a "three visible, seven concealed" layout: appearing as a three-story structure with encircling corridors from the outside, while actually containing seven interior floors—nine levels including the two-tiered base symbolizing ancient city walls. Turquoise-roofed galleries extend north and south from the base's flanks, connecting at their ends to auxiliary pavilions named "River-taming" and "Greenery-embracing," forming a mountain-shaped silhouette with the main tower. Below, an artificial lake and the nine-bend wind-and-rain bridge add classical garden charm to the majestic architecture. Each floor of the pavilion offers something remarkable. The white marble relief "A timely wind delivers Tengwang Pavilion" in the first-floor preface hall depicts the legend of Wang Bo riding the wind to compose his famous preface. The second-floor mezzanine features the long scroll painting "Gallery of eminent figures," gathering Jiangxi's historical luminaries like Tao Yuanming, Ouyang Xiu, Wang Anshi, and Tang Xianzu in one artwork. The third-floor mural "Linchuan dream" recreates Tang Xianzu's staging of "The peony pavilion" here. The fourth-floor "Land of wonders" painting compresses Jiangxi's iconic landscapes—Mount Lu, Sanqing Mountain, Dragon-Tiger Mountain, and Poyang Lake—into a single masterpiece. The fifth floor is the highlight for panoramic views: its central hall displays a bronze tablet inscribed with Su Dongpo's calligraphic version of "Preface to Tengwang Pavilion," while the east hall exhibits a scale model of the pavilion. Strolling the veranda offers sweeping views of the Gan River and modern skyline across the water. The top floor bears the plaque "Ninth heaven," with its west hall housing an antique-style theater flanked by replica ancient instruments like chime bells and stone chimes. Above, spiral-arranged bracket sets adorn the caisson ceiling, and between the double eaves hangs Su Dongpo's gilded "Tengwang Pavilion" plaque. After descending from the main pavilion, take time to explore the garden area: the square in front of the pavilion, the grand Song-style archway, the antique street lined with calligraphy and antique shops, and the small Suzhou-style garden Fuchang Garden with its lake reflections and bridge views—perfect for slowing your pace. To experience the poetic scene of "a solitary wild duck flying with the sunset glow, while the autumn water blends with the vast sky," an evening ascent to the pavilion is ideal. The fifth-floor corridor offers an expansive view, making it a prime spot to admire the sunset over the Gan River.

2026 Global 50 - Cool Water Escapes

Wuyishan National Park

Wuyishan National Park is located in the northern section of the Wuyishan mountain range in northwestern Fujian, stretching across the border area between Fujian and Jiangxi provinces. It is one of China's first established national parks, and Wuyishan itself was inscribed as a UNESCO World Heritage Site for both culture and nature as early as 1999. The park was formed by integrating the former Wuyishan National Nature Reserve and Wuyishan Scenic Area: the Tongmu area in the north focuses on ecological conservation and scientific research, preserving a rare intact mid-subtropical forest ecosystem at this latitude. The main peak of the Wuyishan range, Mount Huanggang, is also located here, and this core area does not offer regular tourism activities. Sightseeing activities are concentrated in the scenic areas along both banks of the Nine-bend Stream, namely the four major sections: Tianyou Peak to Taoyuan Cave, Nine-bend Stream to Wuyi Palace, One-line Sky to Tiger Roaring Rock, and Dahongpao to Water Curtain Cave. The attractions in the scenic area are relatively scattered with considerable distance between them. A leisurely visit typically requires two to three days. If you only have one day, start by ascending Tianyou Peak for a panoramic view of the emerald waters and crimson mountains along the Nine-bend Stream, then take a bamboo raft downstream from Xingcun Wharf. Along the way, you'll pass landmarks like Jade Maiden Peak, Great King Peak, cliff inscriptions, and suspended boat coffins. The rafting journey ends at Wuyi Palace, making it an ideal classic route. Tea enthusiasts may prefer spending time on the leisurely Rock Bone Floral Trail between Dahongpao and Water Curtain Cave. This gentle path connects core Wuyi rock tea production areas like Liuxiangjian and Huiyuankeng, offering a uniquely fragrant experience. With two days, you can cover all four major sections. For more time, consider visiting the ancient tea merchants' residences in Xiamei Village, the starting point of the ancient Tea Horse Road, or exploring the ruins of the Minyue King's City near Chengcun Village—the latter also being part of Wuyishan's world heritage site. Bamboo rafting is very popular, so please make arrangements in advance during peak season. To get close to the ecological heart of the park, you can take the Wuyishan National Park No. 1 scenic route. Places like Moon Bay and Qinglong Waterfall are suitable for self-drive or private charter. As for food, street snacks like flat meat dumplings and Vietnamese noodles are common, while Langu smoked goose and local dishes cooked with alpine bamboo shoots and mushrooms are also worth trying.

No. 5 of Best Things to Do in Jiangxi

Sanqingshan Mount Scenic Area

Located in the northeastern part of Shangrao City, Sanqingshan Scenic Area is a national-level geological park and a world natural heritage. Sanqingshan Scenic Area is a famous Taoist mountain. It is known as the “Little Huangshan Mountain” and includes three peaks: Yujing, Yuxu and Yuhua. Their shapes resemble three Taoist gods, Yuqing, Shangqing and Taiqing, sitting on top of the mountain. In Sanqingshan, you can watch the beautiful sunrise amid the sea of ​​clouds, admire the peculiar stones in the mountains, and walk the high-altitude plank path. The scenery is even more beautiful when the azaleas are in bloom during May and June.

No. 3 of Night Attractions in Jiangxi

Ge's Fairy Village

Ge's fairy village is located in Yanshan County, Shangrao City, Jiangxi Province. It was invested and constructed by Xinbang Group in June 2016, with a total investment exceeding 1.569 billion yuan. Backed by the thousand-year-old Taoist mountain Ge's Fairy Mountain, it aims to become "a new landmark of Jiangxi tourism." The project is divided into two phases, with a planned construction area of approx. 300,000 square meters. The core attraction area covers 650 mu, including three main sections: the distribution center area, Ge's Fairy Village resort, and the Tianjing Terrace attraction. Future development will continue to expand outward along the valley. Ge's fairy village is developed around the Ge's fairy mountain attraction, inspired by the cultivation stories of immortal Ge Xuan on the mountain. It integrates the cultural essence of Taoism with classical landscape painting aesthetics, recreating the mountain village scene where Ge Xuan lived and practiced during the late Han dynasty. Using water, bamboo, and village as creative elements, it aims to create a natural sanctuary and fairy village combining eco-tourism, leisure vacations, business conferences, and Taoist cultural experiences. Introduction to attractions in Ge's fairy village Yuánfāng - Heaven and earth hidden in the mountains and forests The name "Elements" is derived from the Taoist concept of "the sky is round and the earth is square." The bronze compass within Elements, meticulously crafted by renowned artists, embodies the Taoist understanding and profound mastery of the universe's principles. The overall design follows the concept of a "vanishing building," featuring a facade of glass mirrors and bamboo. From a distance, the glass mirrors reflect the natural scenery of the mountains, making the structure appear hidden within the forest. Without careful observation, one might easily overlook the building and the hidden paradise behind it. Zhongmiao pavilion - profound and mysterious, both real and illusory Zhongmiao pavilion is the highest point of the attraction, featuring an ancient architectural structure. The main building stands 26 m tall with a three-story, four-pillar pure wood design. Pavilions are typically used for storing books or enshrining deities, which adds more cultural significance to this structure. In the evening, the solemn and magnificent Zhongmiao Pavilion show takes place here, where the combination of modern technological lighting and ancient architecture creates a dreamlike and visually stunning experience. Culture has a long history The ancestral hall square mainly consists of the jiao altar at the center and the Ge Weng ancestral hall. The jiao altar is a place for capping, wedding, and sacrificial ceremonies. It served as the venue for ancient capping rites, wedding ceremonies, and rituals praying to deities. Traditional folk cultural performances are staged in the central area of the ancestral hall square. Dust-washing gate·Emerald pool - Wash away the mundane Under the moonlight, seekers perform the traditional Taoist greeting, embracing the path of Taoism. The "gate of purification," crafted with mist curtain installations, presents a mesmerizing interplay of light and shadow amidst ethereal fog, cleansing worldly dust from those who journey from afar. Water curtain film - magnificent and breathtaking The water stage at Zhongmiao Pavilion presents a grand live-action water screen movie every evening, where the fusion of water screens and light creates a dazzling visual feast. Performers dance to the rhythm of alternately intense and soothing music, bringing to life a series of dramatic legendary tales from a flourishing era. China town artifact culture museum - A long history of town artifact culture The China town artifact culture museum is located at the entrance of Lingbao Fairy Street, featuring horse-head walls that showcase the distinctive Huizhou architectural style. Inside, visitors can explore China's ancient town artifact culture through exhibition areas, retail zones, and workshop sections, gaining a deeper understanding of this cultural heritage while admiring historical artifacts.

No. 1 of Family-friendly Attractions in Jiangxi

Taoyangli Historical and Cultural District

Taoyangli Historical and Cultural District is located in the heart of Jingdezhen's old town, a historic neighborhood that grew around the ruins of the imperial kiln from the Ming and Qing dynasties. The old saying "Taoyang thirteen li, with tens of thousands of households" refers to this area. The imperial porcelain used by the royal families of the Ming and Qing dynasties was exclusively produced by the imperial kiln here, while rejected tribute items were shattered and buried on-site. The layers of underground porcelain fragments share the same origin as the collections in the Palace Museum, making this place often referred to as the key to understanding the porcelain capital. The core attractions of the district are concentrated around the ruins of the Taoyangli Historical and Cultural District and the imperial kiln museum. The ruins of the Taoyangli Historical and Cultural District have now been transformed into an archaeological site park, preserving relics such as kilns and workshops. The Longzhu pavilion, perched atop Zhushan hill, has been the iconic structure of the imperial kiln since the Ming dynasty and later became the symbol of Jingdezhen. The Zhushan hill beneath it was formed by layers of discarded porcelain fragments from imperial kilns throughout history. Nearby, the imperial kiln museum draws inspiration from traditional egg-shaped wood-fired kilns, featuring multiple brick arches arranged in a staggered layout. Many exhibits in the museum are restored from porcelain fragments unearthed at the site, including the Ming dynasty blue-and-white dragon jar—a signature exhibit pieced together from tons of discarded dragon jar fragments. Adjacent to the museum, the Xu family kiln, an old wood-fired kiln, still operates periodic firings. During kiln openings, the gate is wide open, allowing visitors to watch artisans retrieve freshly fired porcelain from saggars. The district also features winding alleyways lined with kiln-brick residences, guild halls, porcelain shops, and remnants of modern ceramic industry. The restored South goods street and Red shop street now host old teahouses, taverns, music bars, and craft workshops where you can observe traditional processes like clay throwing and porcelain painting, with some workshops offering hands-on experiences. It's recommended to set aside half a day for the visit—start with the kiln site and museum, then meander through the streets around Zhongshan north road and Longgang lane, where many historic courtyard houses hidden in deep alleys await patient discovery.

No. 3 of Family-friendly Attractions in Jiangxi

Jingdezhen China Ceramics Museum

The predecessor of Jingdezhen China Ceramics Museum was the Jingdezhen Ceramics Museum, which is the first large-scale specialized ceramics art museum in China. The permanent exhibition in the museum consists of five units under the theme "The porcelain industry's peak is in this capital." The museum was established in 1954 and houses tens of thousands of fine ceramic masterpieces from the Neolithic period and various historical periods since the Han and Tang dynasties, including over 1,600 precious national cultural relics, covering representative varieties from Jingdezhen's thousand-year porcelain-making history; it also collects many foreign and non-local ceramics, as well as epigraphy, jade, calligraphy and painting. In particular, modern and contemporary Jingdezhen ceramic masterpieces are unique to this museum. The exhibits in the museum include: celadon and white porcelain from the Five Dynasties; bluish-white porcelain from the Song dynasty; blue-and-white porcelain, egg-white porcelain, and underglaze red from the Yuan dynasty; blue-and-white porcelain, polychrome porcelain, doucai, and various types of colored glaze porcelain from the Ming dynasty; and dozens of categories of fine ceramics from the Qing dynasty.

zhong guo lian hua jing qu

The Chinese Lotus Attraction is located in Yiqian Town in the south of Guangchang, Jiangxi Province, the hometown of white lotus in China. It consists of two parts: Yaoxi, the first lotus village in China, and Yiqian Lotus Ancient Town, a complex of ancient buildings from the Ming and Qing dynasties.

No. 4 of Family-friendly Attractions in Jiangxi

The National Archaeological Site Park of Nanchang Han Dynasty Haihun Marquis

The National Archaeological Site Park of Nanchang Han Dynasty Haihun Marquis was developed based on the capital city ruins of Zijingcheng from the Western Han Dynasty Haihun Marquisate, the mausoleum of its first marquise Liu He, and the burial clusters to the west and south of the city. It represents the most well-preserved and structurally intact settlement ruins of a Han Dynasty marquise state capital discovered in China to date. Liu He, the tomb's occupant, was Emperor Wu's grandson who was deposed after merely 27 days on the throne, later becoming the Haihun marquise and moving south before being buried here. Since archaeological excavations began in 2011, over 10,000 artifacts including goldware, bronzes, jades, lacquerware, and bamboo slips have been unearthed, bringing this historically obscure "deposed Han emperor" back into public view with remarkable completeness. The park is divided into six functional zones: the ruins museum area, tomb exhibition area, Zijingcheng exhibition area, archaeological reserve area, entrance service area, and historical experience & ecological leisure area. The visitor center at the entrance adopts the shape of a jade bi disk—its white circular structure resembles a jade button when viewed from above, symbolizing "offering jade to heaven." The ruins museum takes its design inspiration from the dragon-shaped jade artifact unearthed from Liu He's tomb, appearing like a coiled dragon resting between mountains and waters. Permanent exhibitions such as "Golden Haihun," "Scholarly Haihun," and "Vermilion Lacquer Haihun" are housed here, alongside the interactive "Encountering Haihun" gallery. Among the over 1,000 displayed artifacts, gold items like cakes, horse-hoof ingots, unicorn-toe ingots, and plates are arranged in rows—their quantity and variety being exceptionally rare among excavated Han tombs. A complete set of bianzhong bells and bianqing stone chimes shares the stage with a bronze goose-fish lamp, whose curved neck holds a fish; rotating its dish adjusts brightness while smoke filters through water in the goose's belly without escaping, mirroring the ingenuity of the Changxin Palace lamp. A bronze lamp inscribed with "Nanchang" stands as a rare Han-dynasty physical testament to the city's name. Among the over 5,000 bamboo slips unearthed from the tomb of Liu He, the long-lost "Qi version of the Analects" was discovered after being missing for more than 1,800 years. The restoration achievements are showcased in the "Fragrance of Haichun" bamboo slips exhibition, where over a hundred newly restored original slips are displayed alongside Han Dynasty manuscripts like the "Book of Songs." Travelers who appreciate ancient texts and calligraphy will find it worth a closer look. The wooden back of the lacquered mirror depicting Confucius and his disciples features portraits and biographical accounts. While the original is still under restoration, the museum presents a full-scale replica with enlarged images to highlight details—another exhibit not to be missed. Beyond the museum, the Liu He Mausoleum at Guodun Mountain is another key attraction. The mausoleum complex features a trapezoidal layout, with the two main tombs of Liu He and his marquise wife sharing the same burial ground but in separate chambers at the central elevated platform. Surrounding them are auxiliary burial sites and remnants of ritual structures such as ancestral halls, resting chambers, garden walls, and gate towers. Outside the complex lies a rare chariot-and-horse burial pit seldom seen south of the Yangtze River. The Guodun Yuan ruins exhibition area built atop the mausoleum offers a panoramic view of the main tombs' wooden chamber structure from an encircling observation deck, while a 360-degree suspended screen recreates the mausoleum's construction process and Han Dynasty marquise funeral rites. The chariot pit preserves its original excavated state, with a restored quadriga carriage model showcasing the grandeur of Han nobility's travels. The park is planned around the grand heritage site, covering a vast area with its core visitable zones concentrated at the traveler center, ruins museum, and Liu He's tomb complex. The Zijingcheng city site is primarily preserved in its original state, so focus your visit on the museum and tomb area. As distances between zones are considerable, shuttle services are available—we recommend allocating half a day. The Han-style gate towers and golden imperial carriage at the entrance are popular photo spots. Throughout the park, Han cultural activities like costume parades and themed markets occasionally take place; keep an eye out while exploring the exhibitions.