What to see and how to look at the Dule Temple in Jizhou, this article is enough for your preview
The Dule Temple is one of the first batch of national key cultural relics protection units announced by the State Council, and one of the three most completely preserved Liao Dynasty temples in China. Its mountain gate, Guanyin Pavilion, and the eleven-faced Guanyin statue are considered to be peerless artistic treasures.
Guanyin Pavilion
The Guanyin Pavilion, rebuilt in the second year of the Tonghe era of the Liao Dynasty (984), is the oldest existing wooden structure pavilion in China. The pavilion is five bays wide and four bays deep, with a total height of 23 meters, three floors, and a hip-and-gable roof. The design of the Guanyin Pavilion is ingenious, with the entire structure built around the central giant Guanyin statue. Twenty-eight columns form two concentric circles, connected by beams and brackets to form a whole, giving the building tremendous earthquake resistance. The brackets, due to different positions and functions, come in twenty-four styles, making the architecture even more imposing and magnificent.
The Guanyin Pavilion currently preserves three historical plaques: 'Guanyin's Pavilion' written by the Tang Dynasty poet Li Bai, 'Pumen Fragrant Realm' written by Emperor Qianlong of the Qing Dynasty, and 'Fully Accomplished' written by Emperor Xianfeng of the Qing Dynasty.
Guanyin Pavilion Statues
In the center of the Guanyin Pavilion, on the Sumeru pedestal, stand three Liao Dynasty statues. The main statue, known as the eleven-faced Guanyin due to the ten small Buddha heads on its crown plus the main face, is 16.08 meters high and is the largest existing clay standing statue in China. There are two angles to view the Guanyin statue. One is to stand in the main hall and look up, where the majesty of the statue and the ingenuity of the building structure, especially the right hand of Guanyin that is raised, become apparent. When the light is good, the hand appears particularly bright, as if bathed in light, which is quite magical. However, from this angle, it is impossible to see the ten faces on the crown and the facial expressions. The other angle is to stand at the mountain gate and look up at the Guanyin Pavilion, where, if your eyesight is good, you can see the eyes of Guanyin.
The two flanking bodhisattva statues are 3.2 meters high, dressed in armor, with dynamic and graceful standing poses, and lively and vivid modeling. All three statues inherit the style of the Tang Dynasty and possess Liao Dynasty characteristics, with superb artistic levels, and are considered the pinnacle of Liao Dynasty clay sculpture. The right hand of the bodhisattva on the left side is a later restoration. Since photography is not allowed, the two flanking bodhisattva statues in the picture were taken from outside the gate.
Guanyin Pavilion Murals
The murals in the Guanyin Pavilion were painted during the Yuan Dynasty and repainted in the Ming Dynasty. The murals are 3.15 meters high, 45.35 meters long, and cover a total area of 142.85 square meters. The murals mainly depict the sixteen Buddhist arhats and two Ming kings, interspersed with Buddhist myths, secular themes, and portraits of believers who sponsored the restoration. The painting technique primarily uses 'iron line drawing' with some 'orchid leaf drawing', outlining and filling in colors, with appropriate shading, resulting in accurate character modeling and smooth lines. The arhats and Ming kings on the four walls surround the central eleven-faced Guanyin statue, forming a solemn and respectful Buddhist world, reflecting the painter's clever conception and artistic skill. The murals in the picture were taken from outside the door, and the two Ming king images were not captured due to the angle.
Reclining Guanyin
The Reclining Guanyin is a Ming Dynasty statue, sitting in a half-crossed, reclining posture facing north. Behind Guanyin hangs a colorful Sumeru Mountain, with a giant dragon dancing in the sea below, and Guanyin sitting in the center of the sea island, with a leisurely and composed expression. On either side of the Reclining Guanyin are the red-faced Guan Yu and the white-faced Wei Tuo, both wearing helmets and armor, each suspended on the two rear golden columns of the Guanyin Pavilion. The Guanyin and the two generals were also photographed with a zoom lens from the doorway.
Mountain Gate
The statues of the Heng Ha Er Jiang and the murals of the Four Heavenly Kings at the mountain gate are also worth seeing, and you can take photos freely here, no one cares.