Starting with the Saracen jousting, a popular event celebrated in the city of Arezzo, the exhibition aims to document war games using prints and drawings from various periods in the Uffizi Gallery, especially the numerous examples of helmets, weapons and armour from the famous collection of the Stibbert Museum. These knightly tournaments became popular in the Middle Ages and continued into the Renaissance, including the Crossbow Palio, which required contestants to have skills in precision, and the ancient Game of the Bridge, a contest of strength to conquer the Ponte Vecchio on foot.
Visitors will see the most iconic piece in the exhibition, a 16th-century Buratto or Saracen quintain on loan from the Museo Nazionale del Bargello. Probably a celebration to mark the marriage of Francesco I and Bianca Cappero in 1579, the changes over the centuries have transformed it from a Saracen nobleman to the European warrior we see today. The exhibition emblem is another prestigious work of art, Stefano Della Bella’s Knight in Armour, made for the procession and loaned by the Uffizi Gallery. The sumptuous, ornate costumes and robes evoke the sheer splendor of participating in these spectacular events designed to celebrate the great and the good. In another painting loaned from the CR Florence Foundation, Stefano Della Bella depicts a night procession in the Boboli Gardens in 1637. Arms and armour are loaned by Florence’s Museo Stibbert, which has one of the richest collections of material on the ancient game of bridge in Pisa. Stibbert also loaned a fine set of 17th-century crossbows richly inlaid with hunting scenes, made by a workshop in southern Germany. And the collection of the Ivan Bruschi Foundation lends an interesting letter of challenge from “the unconquered, most glorious and ever-victorious King of the Indies, Brato”, issued to announce the version of the Saracen tournament that was held on August 26, 1674 in honor of Cardinal Corsini, Bishop of Arezzo.

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The Cathedral of Santa Maria del Fiore is a magnificent ancient building that attracts tourists from all over the world every day. Through the building, everyone wants to know its story and history. It has stood here for hundreds of years. To this day, people still don&rsquo;t know how the dome was built. It is still a great project that cannot be replicated. It is worth visiting. You can only feel the shock when you see it with your own eyes!

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Although they are more expensive, these are safe and guaranteed tickets which can be bought on dates when the official tickets are sold out, especially closer to your visit date. We received the online tickets a day before our entry. Entrance was crowded but the staff are helpful to guide you to your designated ticket queue line. Inside the galleria was mildly crowded. The Michelangelo David statue was magnificent and there is ample space for you to admire and take pictures. Overall I would recommend this place.

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The Uffizi Gallery is very classic, with a reasonable flow. The works of the masters are worth appreciating slowly. The Pitti Palace is worth seeing, and the interior is not hot. The Medici family is so powerful. The Boboli Gardens are just outside the Pitti Palace. I thought the Pitti Palace Gardens were far away from the Boboli Gardens, so I was still looking for the Boboli Gardens after walking around the Boboli Gardens. My family laughed to death. I accidentally went to the Castle Hill behind and encountered a heavy rain. It was quite pleasant to walk after the rain. I had the energy to continue to watch the sunset at the nearby Michelangelo Hill. We had seen it the day before and didn&#39;t go there

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Santa Croce is also a typical church in Florence, with white as the base color and green facade as the painted color pattern. The square of this church should be the largest among all churches in the city, so it is very formal.

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It&#39;s definitely worth a visit! You can see so many unique works of art here. You can see the evolution of oil painting styles and witness the history of painting techniques and composition from two-dimensional to three-dimensional. Witness the development of art.

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