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Jane Alexander: Infantry with beast | The Art Institute of Chicago
"Infantry and Beasts" is a composite installation originally exhibited as two separate works. "Infantry" (2008-2010) consists of 27 dog-headed humanoid figures, small yet formidable, forming a mottled gray formation that slowly marches along a military-red parade carpet with a calm yet menacing presence. (Infantry was first exhibited without a carpet, at an abandoned military base in South Africa.) The formation advances toward "Beasts" (2003), which is even smaller, as indicated by its lowercase initials. Crouching, the heads of all the figures in "Infantry" stare blankly upward and to the right, as if the marching figures await orders from an unseen commander—perhaps standing where the viewer of the work, judging by their gazes, is supposedly standing.
Audubon’s Birds of America | Field Museum
Art and science intersect on the three-foot-tall pages of one of the world’s rarest books.Learn about the life of John James Audubon.Soar through the 12-year process of creating these masterpieces of printmaking.
Strange Realities: The Symbolist Imagination | The Art Institute of Chicago
Symbolism is among the most complex art movements to define. Although it followed on the heels of Impressionism, whose imagery was accessible and bright, Symbolism’s dark and mysterious vocabulary is far less known.While Symbolist artists were aligned in their embrace of the creative imagination, they used diverse styles and drew inspiration from the past, the future, and the interior self. Complicating the movement further was its lack of a single central hub; instead Symbolism was a loosely connected trend across Europe.
Yoko Ono: Music of the Mind | Museum Of Contemporary Art Chicago
Yoko Ono: Music of the Mind presents one of the most comprehensive exhibitions to date of Yoko Ono, the trailblazing artist, celebrated musician, and formidable campaigner for world peace. This remarkable retrospective—on view at the MCA as the only US venue*—celebrates key moments of Ono’s career, showcasing art driven by ideas and expressed in poetic, humorous, and profound ways.
Tracing Ono’s career since the 1950s, Music of the Mind presents over 200 works across a variety of media including performance footage, music and sound recordings, scores, film, photography, installation, and archival materials. Participatory artworks—a key aspect of Ono’s practice—also feature in the exhibition, and visitors are invited to partake in several interactive, instruction-based artworks throughout Music of the Mind.
Navy Pier’s Winter WonderFest | Chicago
Experience the magic of Winter Wonder Festival at Navy Pier! Get ready to relive cherished memories and create magical new moments at Chicago's favorite indoor holiday experience, featuring dazzling decorations, thrilling rides, ice skating, and seasonal fun for all ages.
Enjoy the twinkling lights and cheerful holiday spirit at Festival Hall at Navy Pier, admire the towering 42-foot-tall Christmas tree, and discover endless ways to have fun. From thrilling rides like Cliff Drift and Zero Gravity to fan-favorite classic children's trains, electric bumper cars, and new motorcycle jumps, as well as bouncy castles and slides, fun awaits around every corner.
Energize your adventure with delicious snacks and drinks, perfect for a quick snack between adventures. Feel the energy of the season with live music and special performances at the Winter Wonder Stage.
H. C. Westermann: Anchor Clanker | The Art Institute of Chicago
H. C. Westermann’s work combines a graceful mastery of materials, rough and tumble physicality, commonsense philosophizing, acrobatic wit and wordplay, and a sensitive worldview shaped in equal measure by the horrors of wartime and the devotions of love. He used a wide-range of materials but was most dedicated to woodworking, once stating that wood was his “whole life.”
Charles Gaines: Night/Crimes | The Art Institute of Chicago
Since the 1970s, artist Charles Gaines has worked with numeric systems and repeating visual structures to investigate representation. His subjects have ranged from race theory and language theory to objects in the natural world.This exhibition focuses on Night/Crimes, a series Gaines created from 1994 to 1997, in which he paired archival photographs of violent crime scenes, victims, and indicted murderers with images of constellations that could have been seen in the night sky when the crimes occurred. Written onto the Plexiglas covering each pair of photographs are the location and date of the crime, the astronomical position of the pictured constellation, and lastly, a date 50 years after the first one.
Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies | The Art Institute of Chicago
A deft sculptor and printmaker, ardent feminist, and lifelong social activist, Elizabeth Catlett (1915–2012) was a defining artist of the 20th century. Across nearly 100 years—from Jim Crow segregation through the Cold War and into Barack Obama’s first term as president—Catlett remained steadfast in her commitment to both her art and her political beliefs.
Chinatown Parade | Chicago
Tuesday, February 17, 2026 (Year of the Horse, 4724) is the Lunar New Year. The Lunar New Year Parade will be held on Sunday, March 1, 2026. The parade will begin at 1 p.m. at the intersection of 24th Street and Wentworth Avenue, then proceed north along Wentworth Avenue to the observation deck located at the intersection of Seymak Street and Wentworth Avenue. The parade includes traditional dragon and lion dances, colorful floats, marching bands, and processions.
Jitish Kallat: Public Notice 3 | The Art Institute of Chicago
Jitish Kallat’s site-specific installation, Public Notice 3, returns to the Art Institute of Chicago’s Grand Staircase this fall after a 14-year hiatus.
Initially unveiled on September 11, 2010, the work connects two significant historical events separated by 108 years: the First World’s Parliament of Religions which began on September 11, 1893, and the terrorist attacks on the World Trade Center and the Pentagon on September 11, 2001. At the earlier event, the World Parliament of Religions, held in an auditorium that encompassed the area that today includes both the museum’s Fullerton Hall and Woman’s Board Grand Staircase, a young Hindu monk, Swami Vivekananda electrified audiences with a powerful speech calling for an end to religious fundamentalism, intolerance, and bigotry.
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