Featured Events in Tokyo in September 2025 (March Updated)

Tokyo Metropolitan Government has created a new tourist resource for nighttime viewing by using the exterior wall of the Tokyo Metropolitan Government Building No. 1 as a screen to express a variety of art with light and sound, and to perform projection mapping all year round in order to activate and revitalize nighttime tourism. This time, as the 45th anniversary is approaching next year, the Tokyo Metropolitan Government will begin showing works using the world-famous "Pac-Man". The game board appears on the outer wall of the Tokyo Metropolitan Government Building, and Pac-Man, who is making a futuristic scene, eats up everything vividly. The music of the game of Pac-Man, which has a futuristic feel, and the music of the highly friendly soundtrack maker Mr. Haraguchi Sasuke have produced. Please enjoy the collaborative work of Pac-Man and Tokyo that can only be seen in the Tokyo Metropolitan Government Building.

Ramses The Great and the Gold of the Pharaohs will feature 183 pieces of rare artefacts from ancient Egypt that focus on the almighty pharaoh, Ramses The Great and it will be the largest collection of artefacts on Ramses II to ever leave Egypt. This spectacular exhibition will also boast the FIRST ever virtual walkthrough of Ramses II’s famous temples as well as a full-length documentary ever produced on Ramses II’s tomb.

Are you ready for a great party? Join Kuromi, My Melody and Hapidanbui for an exciting exhibition! Dive into interactive displays, dance to hit music, and enjoy hands-on fun.

The National Museum of Western Art will hold the "Nationalmuseum of Sweden Drawing Collection - From Renaissance to Baroque" exhibition from July 1st to September 28th, 2025. The Nationalmuseum of Sweden, located in Stockholm, the capital of Sweden, is one of the oldest art museums in the world, based on art collected by the Swedish royal family. In particular, the museum's drawing collection is known for its rich quality and quantity, even on a global scale. This time, we will hold an exhibition that introduces a selection of masterpieces from the drawing collection, from the Renaissance to the Baroque. Since drawings are easily affected by changes in the environment, light, and vibration, it is usually difficult to exhibit drawings held overseas in Japan, so this will be the first time that the world's best collection of drawings, about 80 pieces, will come to Japan. This exhibition allows you to fully enjoy the charm of drawings, which are filled with all of the artist's skill and imagination, including works by masters such as Dürer, Rubens, and Rembrandt.

The official name of Sensoji Temple comes from the Golden Dragon Mountain, and it is called "Golden Dragon Mountain Sensoji Temple", and the name "Golden Dragon Dance" comes from the name of this mountain. "Golden Dragon Dance" is a dance that started in 1958 to commemorate the reconstruction of the main hall of Sensoji Temple, Kannon Hall. This dance is based on the story of Guanyin Bodhisattva enshrined in Sensoji Temple. According to legend, she appeared as a golden dragon that descended from the sky, and overnight she created a thousand pine trees that symbolize a good harvest. The 18-meter-long, 88-kilogram shining golden dragon dances gorgeously to the music of the celebration, and this scene is absolutely impressive.

"Design Ah! Neo" is an exhibition that expands the concept of the program "Design Ah! Neo" currently airing on NHK Educational TV into an experiential space. It has been held as a "Design Ah! Exhibition" at 21_21 DESIGN SIGHT in 2013, and at six museums across the country, including the Miraikan, the National Museum of Emerging Science and Innovation, and the Toyama Prefectural Museum of Art from 2018 to 2021. The third "Design Ah! Neo" exhibition will exhibit new works with new themes, while retaining the concept of encouraging children to enjoy various thoughts and discoveries about design.

This is a touring, international exhibition designed and organised by the Musée de l'Orangerie in Paris, France, focusing together, for the first time, on two Impressionist/Post-Impressionist painters, Renoir and Cézanne.Featuring masterpieces like Renoir’s “Two Young Girls at the Piano” and Cézanne’s “Portrait of the Artist’s Son”, the exhibition explores the origins of modern art through approximately fifty works, including portraits, still lifes, and landscapes by these two great masters, as well as pieces by Picasso, who was influenced by them.Realised through cooperation between the Musée de l'Orangerie and the Musée d'Orsay, the exhibition travels the world, showing in Milan, then Martigny (Switzerland) and Hong Kong, before appearing at Mitsubishi Ichigokan Museum, Tokyo, the only Japanese venue for the show.We hope that audiences will delight in the connections between Renoir and Cézanne, and in the extraordinary artistic expression of these two great masters who produced such unconstrained and diverse work on the eve of the birth of modern art.

This exhibition is the first curatorial collaboration between the National Art Center, Tokyo and M+. It presents a historical survey of Japanese contemporary art between 1989 and 2010, bracketed by two major events in Japan’s recent past: the end of the Shōwa era (1926–1989) and the beginning of the Heisei period (1989–2019), and the Tōhoku Earthquake in 2011.The exhibition traces a trajectory of contemporary art in Japan beyond national and territorial frameworks, evolving through a rich array of international exchanges. Structured as two intertwined strands of iconic works of art and stories of lesser-known projects by artists during this period, the exhibition features Japanese artists living inside and outside their native country alongside works by international artists. It paints a picture of Japanese contemporary art as a complex, porous network of cultural dialogue and engagement, providing an alternative view to the established narrative of national singularity.The exhibition shows how Japanese contemporary art during this critical transitionary period examined and tackled major subjects, such as the nation's historical legacy and multiplicity of identities, while proposing possibilities of alternative communities. It also underscores the wide influence of Japanese art and visual culture in the first two decades of contemporary globalisation.

This exhibition is the first curatorial collaboration between the National Art Center, Tokyo and M+. It presents a historical survey of Japanese contemporary art between 1989 and 2010, bracketed by two major events in Japan’s recent past: the end of the Shōwa era (1926–1989) and the beginning of the Heisei period (1989–2019), and the Tōhoku Earthquake in 2011.The exhibition traces a trajectory of contemporary art in Japan beyond national and territorial frameworks, evolving through a rich array of international exchanges. Structured as two intertwined strands of iconic works of art and stories of lesser-known projects by artists during this period, the exhibition features Japanese artists living inside and outside their native country alongside works by international artists. It paints a picture of Japanese contemporary art as a complex, porous network of cultural dialogue and engagement, providing an alternative view to the established narrative of national singularity.The exhibition shows how Japanese contemporary art during this critical transitionary period examined and tackled major subjects, such as the nation's historical legacy and multiplicity of identities, while proposing possibilities of alternative communities. It also underscores the wide influence of Japanese art and visual culture in the first two decades of contemporary globalisation.

Inchem Tokyo 2023 is a comprehensive engineering exhibition that supports environmental measures for plant, plant and social infrastructure, energy conservation, promotion of IT. Inchem Tokyo is a comprehensive engineering exhibition that supports environmental measures for plant, plant and social infrastructure, energy conservation, promotion of IT. Information Source: Japan Management Ass. | expotobi