Featured Events in Pasadena in September 2024 (May Updated)

For several decades, artist Cai Guo-Qiang has used gunpowder and pyrotechnics to create drawings, paintings, and explosion events. The exhibitionCai Guo-Qiang:A Material Odysseywill fill the first floor galleries at the USC Pacific Asia Museum. Based on years of research by the Getty Conservation Institute and the Getty Research Institute,A Material Odysseywill explore the nature and properties of gunpowder and chronicle its use by the artist. This explosive material, invented in China over 1,100 years ago, has come to define Cai’s work. Its unpredictable nature dictates his artistic process and determines the outcome. Through gunpowder, the artist invites uncontrollable forces to participate in the creation of his work. With an abundance of artworks and scientific displays, the exhibition will narrate the lifelong love story of Cai Guo-Qiang with gunpowder. Programs accompanyingA Material Odysseywill include videos illustrating the making of fireworks, the process of creating gunpowder paintings, interactive displays, and a variety of film screenings and conversations.

For several decades, artist Cai Guo-Qiang has used gunpowder and pyrotechnics to create drawings, paintings, and explosion events. The exhibitionCai Guo-Qiang:A Material Odysseywill fill the first floor galleries at the USC Pacific Asia Museum. Based on years of research by the Getty Conservation Institute and the Getty Research Institute,A Material Odysseywill explore the nature and properties of gunpowder and chronicle its use by the artist. This explosive material, invented in China over 1,100 years ago, has come to define Cai’s work. Its unpredictable nature dictates his artistic process and determines the outcome. Through gunpowder, the artist invites uncontrollable forces to participate in the creation of his work. With an abundance of artworks and scientific displays, the exhibition will narrate the lifelong love story of Cai Guo-Qiang with gunpowder. Programs accompanyingA Material Odysseywill include videos illustrating the making of fireworks, the process of creating gunpowder paintings, interactive displays, and a variety of film screenings and conversations.

For several decades, artist Cai Guo-Qiang has used gunpowder and pyrotechnics to create drawings, paintings, and explosion events. The exhibitionCai Guo-Qiang:A Material Odysseywill fill the first floor galleries at the USC Pacific Asia Museum. Based on years of research by the Getty Conservation Institute and the Getty Research Institute,A Material Odysseywill explore the nature and properties of gunpowder and chronicle its use by the artist. This explosive material, invented in China over 1,100 years ago, has come to define Cai’s work. Its unpredictable nature dictates his artistic process and determines the outcome. Through gunpowder, the artist invites uncontrollable forces to participate in the creation of his work. With an abundance of artworks and scientific displays, the exhibition will narrate the lifelong love story of Cai Guo-Qiang with gunpowder. Programs accompanyingA Material Odysseywill include videos illustrating the making of fireworks, the process of creating gunpowder paintings, interactive displays, and a variety of film screenings and conversations.

Pasadena Gun Show features a display of shotguns, rifles, handguns, scopes, knives, shooting supplies, ammunition, reloading equipment, gun cases, pistol & rifle magazines Pasadena Gun Show features a display of shotguns, rifles, handguns, scopes, knives, shooting supplies, ammunition, reloading equipment, gun cases, pistol & rifle magazines, military surplus, collector items, archery, fishing supplies, safes, custom handmade gun cabinets, wild game jerky, and much more. Information Source: Premier Gun Shows LLC | expotobi

隆重引介即將在帕薩迪納舉行的2024年洛杉磯牙科會議，行業內的專家和學者將齊聚一堂，共同討論牙科領域內的最新發展和技術創新。此次盛會將在帕薩迪納希爾頓酒店舉辦，地點位於美麗的加利福尼亞州，環境優雅，設施完善。會議定於2024年9月13日盛大開幕，屆時業界精英將分享經驗，展示成果，志在推動牙科醫療的進步。各位對牙科有興趣的專業人士，不容錯過這個深造和交流的絕佳機會。詳細票價資訊，敬請關注會議官方網站更新。請預留時間，加入我們，共同見證牙科領域的未來發展。

隆重推介，2024 年帕薩迪納牲畜展和牛仔競技表演將於美國加利福尼亞州帕薩迪納盛大舉行。此次活動以其規模宏大、内容豐富著稱，為您帶來一場前所未見的體驗。9月20日，一場集農業展示和娛樂精粹於一身的盛會將在此揭幕。來自四方的牲畜展覽和牛仔競技高手將在此展現技藝，精彩可期。入場門票及詳細資訊即將公佈。諸位牲畜愛好者和競技狂熱分子，萬勿錯過2024 年帕薩迪納盛事。此活動保證給您留下深刻的印象，啟發您對牲畜文化和牛仔運動的無限熱愛。

A Kid from Marlboro Road opens at a wake where Kneeney, as his mother calls him, takes in the death of his beloved grandfather, Pop, a larger-than-life figure to him. The overflowing crowd includes sandhogs in their muddy work boots, old Irish biddies in black dresses and cops in uniform, along with the family in mourning. There’s an open casket, the first time he’s seen a dead person. He watches it all, writing his observations for school projects, not yet realizing how this world defines and explains who he is and will be. His older brother Tommy has no patience for rules and domesticities, his father is emotionally elsewhere. Kneeney knows he’s the best thing his mother's got, though her sadness envelops them both. Stories cascade between the prior generation’s colorful origins in the Bronx and Hell's Kitchen, and the softer world of Gibson, the town on Long Island where the family lives now. There are scenes in the Rockaways, at Belmont Race Track, and in Montauk. Out of individual struggles a collective warmth emerges, a certain kind of American story, raucous and joyous. Includes black and white photographs from the author's Irish-American New York family history. This is a ticketed in-store event. Tickets include one seat/entry and one copy ofA Kid from Marlboro Roadwhich will be handed out at check-in. A book signing will follow the conversation. Mr. Burns will not be signing any merchandise outside of copies of A Kid from Marlboro Road. Information Source: Vroman's Bookstore | eventbrite

STADIUM TOURS The Rose Bowl Stadium opens its gates to the public for guided tours. Guests can delight in this unforgettable opportunity to go behind-the-scenes of 'America's Stadium' where countless moments in history have been made. Your tour guide will lead you through this National Historic Landmark, including the original 1922 locker room, current locker rooms, press box, Court of Champions and more. Throughout the tour, you will learn about the iconic history that has taken place here at the Rose Bowl Stadium, from the Four Horsemen of Notre Dame to Brandi Chastain’s game winning kick in the 1999 FIFA Women’s World Cup Final. Tours will not only be an outdoor excursion, but a historical learning experience that you will never forget. RECOMMENDATIONS Please arrive at least 15 minutes prior to tour start timePlease allow up to two hours for your visit here at the Rose Bowl StadiumComfortable walking shoes are recommendedProper attire, including shoes and shirts, must be worn at all times. In the spirit of a family friendly environment, we ask you to use your discretion in appropriate attire.Check the local weather report before you leave for the stadium since portions of the tour are outdoorsPlease keep in mind that all tour locations are subject to change. This can be due to stadium events and/or the stadium’s current construction project. Information Source: Rose Bowl Stadium Tours | eventbrite

Electric light emerged as an artistic medium in the mid-20th century, as artists engaged with new technology, mass media and industrial materials. The exhibition Plugged In: Art and Electric Light illuminates these themes through 11 works produced between 1964 and 1970, all drawn from the Museum’s collections. This focused group includes Andy Warhol’s controversial White Painting (1964), its nude female torso subversively activated by ultraviolet light; Dan Flavin’s stark fluorescent installations made from commercial materials; and Allen Ruppersberg’s Location Piece (1968), an “environmental sculpture” that envelops the viewer in unnerving ambient light.

Electric light emerged as an artistic medium in the mid-20th century, as artists engaged with new technology, mass media and industrial materials. The exhibition Plugged In: Art and Electric Light illuminates these themes through 11 works produced between 1964 and 1970, all drawn from the Museum’s collections. This focused group includes Andy Warhol’s controversial White Painting (1964), its nude female torso subversively activated by ultraviolet light; Dan Flavin’s stark fluorescent installations made from commercial materials; and Allen Ruppersberg’s Location Piece (1968), an “environmental sculpture” that envelops the viewer in unnerving ambient light.

Electric light emerged as an artistic medium in the mid-20th century, as artists engaged with new technology, mass media and industrial materials. The exhibition Plugged In: Art and Electric Light illuminates these themes through 11 works produced between 1964 and 1970, all drawn from the Museum’s collections. This focused group includes Andy Warhol’s controversial White Painting (1964), its nude female torso subversively activated by ultraviolet light; Dan Flavin’s stark fluorescent installations made from commercial materials; and Allen Ruppersberg’s Location Piece (1968), an “environmental sculpture” that envelops the viewer in unnerving ambient light.

Electric light emerged as an artistic medium in the mid-20th century, as artists engaged with new technology, mass media and industrial materials. The exhibition Plugged In: Art and Electric Light illuminates these themes through 11 works produced between 1964 and 1970, all drawn from the Museum’s collections. This focused group includes Andy Warhol’s controversial White Painting (1964), its nude female torso subversively activated by ultraviolet light; Dan Flavin’s stark fluorescent installations made from commercial materials; and Allen Ruppersberg’s Location Piece (1968), an “environmental sculpture” that envelops the viewer in unnerving ambient light.

Electric light emerged as an artistic medium in the mid-20th century, as artists engaged with new technology, mass media and industrial materials. The exhibition Plugged In: Art and Electric Light illuminates these themes through 11 works produced between 1964 and 1970, all drawn from the Museum’s collections. This focused group includes Andy Warhol’s controversial White Painting (1964), its nude female torso subversively activated by ultraviolet light; Dan Flavin’s stark fluorescent installations made from commercial materials; and Allen Ruppersberg’s Location Piece (1968), an “environmental sculpture” that envelops the viewer in unnerving ambient light.